But yeah, everything's very tight and concise.

It is.

Thank you, Dave.

That's very nice of you to say all those complimentary things.

I mean, he makes, Sajid Ray makes, the music I was familiar with is all film music.

So it's often, you know, just a 30 second scene or it could be an extensive scene or whatever.

But that's how I sort of came to it, just thinking of... you know, little glimpses into a little window into a moment and sort of not really kind of going, thinking about it too much other than just trying to capture a sort of fairly singular idea or concept with the music.

And what sort of music is it informed by? Were you listening to sitar music or were you listening to exotic kind of Martin Denny, Arthur Lynham records from the 50s? It doesn't have a lot of percussion or beats on