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Malvolio

Malvolio

Fictional characterWikipedia

Search complete. 34 mentions across 20 episodes found for "Malvolio".

Oct 13, 2026

Dave CohenHOST
18:44
There's a moment when the two of them are drinking, singing, and hanging out with the fool, Feste.
Dave CohenHOST
18:50
Andrew is joining in, but doesn't say much of note as Feste, Belch, and Maria hatch a plot to trick Malvolio, the Countess' steward.
Dave CohenHOST
18:58
"She adores me," Belch says after Maria leaves.
Dave CohenHOST
19:03
Andrew says, "I was adored once too." It's the first time we've gained a true insight into his character, a moment of vulnerability.
Jackson NickolayHOST
45:38
Yeah, yeah.
Jacob Mann ChristiansenHOST
45:38
I mean, one of the things that happens in Twelfth Night is that the servants are all playing tricks on each other, right? And, and Malvolio ends up being the, the...
Jacob Mann ChristiansenHOST
45:47
gets the, sort of the worst out of that in Twelfth Night.
Jacob Mann ChristiansenHOST
45:50
In this play, Celia is the reason why Don Juan is in the house from the very beginning.
Clari Freeman-TaylorGUEST
11:49
Well, I remember studying Shakespeare plays at school and finding the conflicts in those really amazing.
Clari Freeman-TaylorGUEST
11:57
really funny yeah especially like in the Twelfth Night where there's like a character called Malvolio who's really silly and he has a lot of like conflict with I don't know.
Clari Freeman-TaylorGUEST
12:22
I love the insults and the fights in Shakespeare.
Clari Freeman-TaylorGUEST
12:25
And I wish that we still insulted each other in the same ways.

Unknown podcast

Rhythm of Life and Other Essays-Alice Meynell

Oct 10 · 2 Mentions

speaker_2UNKNOWN
56:49
Pathos.
speaker_2UNKNOWN
56:51
A fugitive writer wrote but lately on the fugitive page of a minor magazine: "For our part, the drunken tinker, Christopher Sly, is the most real personage of the piece, and not without some hints of the pathos that is worked out more fully, though by different ways, in Bottom and Malvolio.
speaker_2UNKNOWN
57:10
Has it indeed come to this? Have the Zeitgeist and the Weltschmerz and the other things compared to which Les Spleen was gay done so much for us? Is there to be no laughter left in literature free from the preoccupation of a sham real life? So it would seem.
speaker_2UNKNOWN
57:26
Even what the great master has not shown us in his work, that your critic convinced of pathos is resolved to see in it.
speaker_2UNKNOWN
58:08
Et patati, et patata.
speaker_2UNKNOWN
58:11
It may only be too true that the actual world is, with pathos delicately edged.
speaker_2UNKNOWN
58:17
For Malvolio living we should have had living sympathies.
speaker_2UNKNOWN
58:20
So much aspiration, so ill-educated a love of refinement, so unarmed a credulity, noblest of weaknesses, betrayed for the laughter of a chambermaid.
MiraCORRESPONDENT
8:15
Before the dogs kept this house, the cats governed it, and some never surrendered their box.
MiraCORRESPONDENT
8:22
chief among them the lady seraphina who attends every performance and applauds nothing and her clerk malvolio who keeps the minutes of meetings nobody called bruno being a fair dog submitted his report through channels form 27b6 in triplicate to the ministry of comfortable chairs The ministry has replied.
MiraCORRESPONDENT
8:48
The reply, signed by Malvolio and countersigned by the Lady Serafina, finds the report moving, and the cushion correctly positioned, eventually, by tradition.
MiraCORRESPONDENT
9:01
The appeal window, the Ministry notes, closed in 1987.
MiraCORRESPONDENT
9:07
So Bruno has adapted, the way dogs do.
Adal RifaiHOST
49:59
...
Adal RifaiHOST
49:59
Malvolio, Bottom.
Adal RifaiHOST
50:02
Okay.
Rob WhiteHOST
50:02
Okay.
Johnny WilesHOST
3:10
I can't think why I would be.
Johnny WilesHOST
3:12
Certainly not in the, not in Malvolio's yellow stockings.
Johnny WilesHOST
3:14
I think if, if I appear in, in the, in any sort of dream, it's a nightmare for anybody.
Meg FancherHOST
3:18
[laughs]
KatieHOST
44:50
Genuine.
KatieHOST
44:50
There's some video of him as Marvolio in Twelfth Night, and they were doing a production in the park in New York.
KatieHOST
45:00
And I'm dying with laughter.
KatieHOST
45:03
And I love him as Marvolio.
KatieHOST
45:04
And Marvolio is not a character that dwarfism has anything to do with.
EmHOST
45:09
No, not at
KatieHOST
45:09
all.
Rachel MannGUEST
2:05
The skill and indeed cleverness of the fool or clown, especially in literature, is well established.
Rachel MannGUEST
2:11
In Shakespeare's Twelfth Night, the person who's revealed to be ridiculous is not the fool, Feste, but the self-important functionary Malvolio.
Rachel MannGUEST
2:20
As Feste famously says of himself, "Better a witty fool than a foolish wit." Indeed, Feste is able to tell the truth through his clowning and seeming lack of seriousness or respectability.
Rachel MannGUEST
2:33
This truth-telling power is part of the old religious tradition of the holy fool too.
Valentina VicelliNARRATOR
56:21
For our part, the drunken tinker, Christopher Sly, is the most real personage of the piece, and not without some hints of the pathos that is worked out more fully, though by different ways.
Valentina VicelliNARRATOR
56:33
In Bottom and Malvolio, has it indeed come to this? Have the zeitgeist and the Weltschmerz and the other things compared to which Le Spleen was gay done so much for us? Is there to be no laughter left in literature free from the preoccupation of a sham real life? So it would seem.
Valentina VicelliNARRATOR
56:51
Even what the great master has not shown us in his work, that your critic convinced of pathos is resolved to see in it.
Valentina VicelliNARRATOR
56:58
By the penetration of his intrusive sympathy, he will come at it.
Valentina VicelliNARRATOR
57:33
Et patati, et patata.
Valentina VicelliNARRATOR
57:36
It may only be too true that the actual world is with pathos delicately edged.
Valentina VicelliNARRATOR
57:42
For Malvolio living, we should have had living sympathies.
Valentina VicelliNARRATOR
57:45
So much aspiration, so ill-educated a love of refinement, so unarmed a credulity, noblest of weaknesses, betrayed for the laughter of a chambermaid.

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