Malcolm Arnold

oh that'd be interesting it's a real talking pictures type movie you know it's it's one they love to show and and quite rightly so um and another thing to mention is It's really, I think, the musical score on the show, which some people might forget about unless they've watched recently.

But it's by Malcolm Arnold.

And it's very subtle, but it has this charming sort of ethereal quality about it.

And it really puts a shine on the whole film and certainly the first time watching experience and adds so much warmth to the atmosphere.

Albert Fuller performed a sonata in F major by Domenico Scarlatti.

Music of the English composer Malcolm Arnold.

This is a programmatic work of a rather dubious nature, which he completed in March of 1955.

It is called Tam O'Shanter, based on a poem by Robert Burns, which is about a farmer and drunkard named Tam O'Shanter, who gets intoxicated with some friends at a local tavern while his angry wife awaits him at home.

Thank you.

Thank you.

¦ ¦ ¦ ¶¶ . . . Paul Daniel led the English Northern Philharmonia in Tam O'Shanter by Malcolm Arnold.

Someone once mused that opera is where a guy gets stabbed in the back and instead of dying, he sings.

It's just a wonderful testament to the friendship across the Atlantic.

There's also some English dances in there by Malcolm Arnold.

And music from Leonard Bernstein from his On the Town.

Oh, I love On the Town.

Lean wanted the prisoners to enter camp using the Colonel Bogey March, while Spiegel initially thought the idea wouldn't mean anything to audiences.

The whistling became one of the most recognizable pieces in the movie, while composer Malcolm Arnold had only about 10 days to write roughly 45 minutes of score.

He called it one of the worst jobs he ever had, and then-

Hmm