Lydian mode

And minor has, of course, a complicated system of chord structure that is established for how music theory works in that.

Whereas, you know... you're Dorian, you're Lydian, you're certainly Locrian modes.

And we'll talk, I will rant, I am sure, in a few minutes about modal music and what it means to be playing in a mode.

You know, there aren't chord structures that necessarily lend themselves well to establishing that kind of sound.

Nobody would ever do that.

F, G, A, B, C, D, E, F.

Well, in that case, we get a new scale, a scale called Lydian.

Okay.

of the extension or try staying only in the top of the extension, you know, and it changed that merry-go-round would become like from a wooden roller coaster to like a smooth, you know, like those, um, those chords on, on the, on that little bridge.

Like they were all kind of, you know, Lydian shapes, right? Like a C over a B flat.

Yeah.

Or, you know, but then if you play it straight up and down, it really is intended to...

You know, like when you hear the shape of the form, it's not a Lydian color.

You know, you say...

But when you voice it with the melody and you say, do you want it to go...

So starts in the key of E, goes to C sharp minor, or depending on how you consider one of the chords, C sharp Dorian mode.

Ooh, I know about that, Dorian, Lydian, Mixolydian.

Yeah.

So-

Uh, this is a system that no matter where your hand is on the guitar, no matter what you wanna play, it's underneath your f- your, your fingers.

So you say, "Okay, well that's great." That's major, minor, major pentatonic, minor pentatonic, and then we have Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian, right? So, so we have, um, all the different sounds across...

And I probably missed one.

I, yeah, I'm doing this off the top of my head from an outline here.