Lusitano

So, and she was riding in with her mother, I think it was, and if it was one of the sisters, but it was just that, with the music, with her beautiful... and the way they were presenting the likeness and the classical music and this beautiful Baroque horses.

Again, I did not... know much about Lusitano and Portugal and to have that as your sort of experience a month in when I first came to Portugal was a really really strong and strong impression and then I knew that that was the way I wanted to ride that was the way I wanted to go but of course I had no connection to them but what happened was that where I used to work Master Luis and his family used to come and buy horses So they had, we had met, not personally, never introduced to it, but we were, they had seen me, right.

And then through a mutual friend, I got the space at Master Luis.

So it was a very strange way of, of getting to that part because it was nothing that was planned and nothing that I had been looking for either.

So I definitely thought I was going to just stay there for a year, but then stayed much longer as a result of it.

And I didn't go straight to the Quinta do Brejo after the Valenzas.

I also worked at Morgado Lusitano for a while, which was also very good because what I could do there was just practicing my craft a bit, I think, finding a way of how to and make things your own because you live and you learn and you – absorb it in all the different ways that you can.

And then to sort of go away and finding a little bit of getting a bit of experience teaching and riding was a very, very good...