Louis Malle
French filmmakerWikipedia
18
MENTIONS
16
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16
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Search complete. 18 mentions across 16 episodes found for "Louis Malle".
Sep 25, 2026
Will DodsonHOST
Oh, this is great.
Will DodsonHOST
Uh, coming soon on 4K from, uh, in the US from Kino Lorber, uh, Louis Malle's Atlantic City from 1980.
Will DodsonHOST
And, uh, this is one of Burt Lancaster's last great performances.
Will DodsonHOST
He is so good in this.
Will DodsonHOST
Um, speaking of gambling, and this is a great cast: Susan Sarandon, Kate Reid, Michael Piccoli, uh, Robert Joy, uh, Robert Goulet.
Will DodsonHOST
Um, and as mentioned, this is a Louis Malle f- uh, film, Louis Malle film.
Will DodsonHOST
Uh, in a corrupt city, a small-time gangster and the estranged wife of a pot dealer [laughs] find themselves thrown together in an escapade of love, money, drugs, and danger.
Will DodsonHOST
[laughs] No extras listed, but-
Scott MasonHOST
He lost out to Warren Beatty for Reds.
Scott MasonHOST
Louis Malle was nominated for Atlantic City.
Scott MasonHOST
Mark Rydell was nominated for On Golden Pond, and Steven Spielberg was nominated for Raiders of the Lost Ark.
Scott MasonHOST
I think Spielberg probably should have won that one Best Actor in a Supporting Role nomination for Ian Holm.
Brian L. FryeHOST
So I wonder if you could introduce the film itself, talk a little bit about it, how it was made and sort of what it was like, the context in which it was shown, and then sort of how it came to be that Cher was embroiled in this litigation that ultimately made it all the way to the Supreme Court.
Mike PlanteGUEST
He was shown a lot of French films and The Lovers by Louis Malle, who becomes very famous, but at that time it was his third film, his second feature film.
Mike PlanteGUEST
And so he was getting to be known.
Mike PlanteGUEST
The film won an award in Venice, but But censors in Italy and France, Germany even cut the film.
Carolyn PfeifferGUEST
And I was in Italy during the neorealism period and then in France, part of the new wave and working in Europe.
Carolyn PfeifferGUEST
hanging out with people like Truffaut and Louis Malle and all those great French filmmakers.
Carolyn PfeifferGUEST
And then in London, it was swinging London.
Carolyn PfeifferGUEST
It was London in the 60s.
A.J. GonzalezHOST
narration i mean we don't know how much or what version curtis hansen wrote
Bryan ConnollyHOST
yes i guess this is a good time to talk about his involvement because there's really other than that one article which doesn't mention curtis hansen other than maybe his name is listed as a writer yeah there's no story about his involvement I mean, if they started it in 1980, was he part of the original writers for Louis Malle? Which would make sense maybe if it was like, oh, you're already hanging out with Sam
A.J. GonzalezHOST
Fuller.
A.J. GonzalezHOST
You're starting to work on White
Sid GribetzHOST
They called it Jazz Track.
Sid GribetzHOST
And I mentioned earlier in the show that Miles did the soundtrack for the Louis Malle movie Elevator to the Gallows.
Sid GribetzHOST
And so Columbia marketed Jazz.
Sid GribetzHOST
Actually, they didn't market.
Dany JoshuvaHOST
[laughs]
Luke SeayHOST
"This Japanese man has a particular cinemat- typographic sense, indefinable, rare, shared by the likes of Cocteau, or in a different realm, by Godard, Truffaut, Louis Malle.
Luke SeayHOST
It's a sense that falls outside of fabrication convention."
Dany JoshuvaHOST
I wonder if...
Ted RallHOST
You couldn't see them, just a, a wall.
Ted RallHOST
And there was a modest plaque on the wall that said this was the school where the kids in that movie, uh, Au revoir les enfants, the Louis Malle movie, that's the school where they were deported from.
Ted RallHOST
It's chilling.
Jamarl ThomasHOST
That's crazy.
Dan MirvishGUEST
And then if you look at the Cannes Film Festival in 1968, there was a group of filmmakers, upstart filmmakers in.
Dan MirvishGUEST
Louis Malle, Jean-Luc Godard started Directors Fortnite, same thing.
Dan MirvishGUEST
They weren't happy with how Cannes was going, so they started their own thing.
Dan MirvishGUEST
Berlin had a similar thing too.
speaker_2GUEST
But he ends it by basically saying that we don't know where the world is going, but it seems to be going into a very dark place.
speaker_2GUEST
And I remember seeing this movie back in 81 or 82, shortly when I was in college, and it didn't have the effect upon me then, just a few weeks ago when I saw it again, because I realized that this little film by Louis Malle, the French director, touched upon, in a very acute way, this darkness, this stepping into the darkness which we see all around us.
speaker_2GUEST
The inability of education to truly educate, the inability of leaders to lead, and, you know, the whole panorama that nothing is what it appears to be.
speaker_2GUEST
This was a sense that I got out of...
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