Lizzie Borden

There's an article on the use of gender side as a means of control.

There's a movie, The Fall of 1983, Lizzie Borden film, Born in Flames.

There's loads of other stuff too.

It's not often that like, underground bands such as yourselves have websites at all.

So for those of you who have not seen it or have not heard of it, like me before I was getting ready for this episode, it is a movie from 1983.

It is an American utopian, dystopian, docufiction drama directed, produced, and co-written by radical intersectional feminist Lizzie Borden.

So it takes a look at all the isms: racism, classism, sexism, and it's kind of set in an alternate reality, an alternate socialist, democratic United States.

So I will start here, Will.

Yeah.

So it's very rare that I actually have that feeling where it feels like this is something actually radical and actually new.

Like, Lizzie Borden, like, I, I feel like I need to watch everything that she ever put out, uh, because I'm now way more interested in her work.

Like, I knew the name, but probably only because of she took her name from, you know, a famous murder case.

So we talked about two radical near-future pseudo-documentary American dystopia films.

We talked Peter Watkins' Punish and Park from 1971 and Lizzie Borden's Born in Flames from 1983.

Yeah, yeah.

It's both really amazing films.

No, keep going.

Working Girls by Lizzie Borden, which I thought was really interesting, but kind of like it's like a flawed.

Not like

not like the 80s one.