
Lied
Composition typeWikipedia
17
MENTIONS
16
EPISODES
12
PODCASTS
Search complete. 17 mentions across 16 episodes found for "Lied".
Sep 13, 2026
Fanny Hensel - with Molly McCann, founder of Hensel Pushers
M
6:04Molly McCannGUEST
At the time I was looking, yeah, I was looking on IMSLP, which is a great resource.
M
6:09Molly McCannGUEST
When I started though, there were, you know, Fanny Hensel wrote, more than 450 works of music, most of those Lieder, and then most of the rest of them solo piano.
M
6:20Molly McCannGUEST
And she published, or there were 11 opuses of her works that were published.
M
6:27Molly McCannGUEST
I think seven of those were during her lifetime, and then the next four were shortly after her death by her family members.
Study in Scarlet (version 2)-Sir Arthur Conan Doyle
M
30:25Mark NormanNARRATOR
These were very remarkable, but as eccentric as all his other accomplishments.
M
30:31Mark NormanNARRATOR
That he could play pieces, and difficult pieces, I knew well, because at my request he had played me some of Mendelssohn's Lieder and other favourites.
M
30:41Mark NormanNARRATOR
When left to himself, however, he would seldom produce any music or attempt any recognised air.
M
30:48Mark NormanNARRATOR
Leaning back in his armchair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee.
A Study in Scarlet - Sir Arthur Conan Doyle
S
32:34speaker_5NARRATOR
"'I see that I have alluded above to his powers upon the violin.
S
32:38speaker_5NARRATOR
"'These were very remarkable, but as eccentric as all his other accomplishments.' and that he could play pieces and difficult pieces I knew well, because at my request he has played me some of Mendelssohn's Lieder and other favourites.
S
32:54speaker_5NARRATOR
When left to himself, however, he would seldom produce any music or attempt any recognised air.
S
33:01speaker_5NARRATOR
Leaning back in his arm-chair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee.
A Study in Scarlet - Sir Arthur Conan Doyle
P
31:46Phil ChenevertNARRATOR
"'I see that I have alluded above to his powers upon the violin.
P
31:51Phil ChenevertNARRATOR
"'These were very remarkable, but as eccentric as all his other accomplishments.' and that he could play pieces and difficult pieces I knew well, because at my request he has played me some of Mendelssohn's Lieder and other favourites.
P
32:06Phil ChenevertNARRATOR
When left to himself, however, he would seldom produce any music or attempt any recognised air.
P
32:13Phil ChenevertNARRATOR
Leaning back in his arm-chair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee.
Study in Scarlet (version 3)-Sir Arthur Conan Doyle
S
30:00speaker_9NARRATOR
These were very remarkable, but as eccentric as all his other accomplishments.
S
30:06speaker_9NARRATOR
That he could play pieces and difficult pieces I knew well, because at my request he has played me some of Mendelssohn's Lieder and other favourites.
S
30:15speaker_9NARRATOR
When left to himself, however, he would seldom produce any music or attempt any recognised air.
S
30:22speaker_9NARRATOR
Leaning back in his armchair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee.
Study in Scarlet (version 2)-Sir Arthur Conan Doyle
M
29:13Mark NormanNARRATOR
These were very remarkable, but as eccentric as all his other accomplishments.
M
29:18Mark NormanNARRATOR
That he could play pieces, and difficult pieces, I knew well, because at my request he had played me some of Mendelssohn's Lieder and other favourites.
M
29:28Mark NormanNARRATOR
When left to himself, however, he would seldom produce any music or attempt any recognised air.
M
29:36Mark NormanNARRATOR
Leaning back in his armchair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee.
Imogen Thirlwall - The Kiwi Soprano Singing in Germany’s Opera World
I
9:07Imogen ThirlwallGUEST
it.
I
9:07Imogen ThirlwallGUEST
And I really enjoyed – I enjoyed Lieder, which is a German art song.
I
9:12Imogen ThirlwallGUEST
Really loved that.
I
9:13Imogen ThirlwallGUEST
And so I had, yeah, I thought that could be a good place to go to.
Episode 488. Ileana Cotrubaș In Memoriam
D
91:28Daniel GundlachHOST
Sadly, it did not arrive before I left Berlin, but it arrived there this morning, and when I get back, I will be dubbing it off, and I'm going to do an additional episode featuring Ileana in Artsong.
D
91:42Daniel GundlachHOST
because there are some magnificent recordings of her as a Lieder-Sängerin.
D
91:47Daniel GundlachHOST
So it will be Ein Liederabend mit Ileana Kotrubasz, and that will be coming up before the end of the year.
D
91:54Daniel GundlachHOST
So stay tuned for that.
D
91:56Daniel GundlachHOST
Finally, I have an additional Puccini selection to bring today's setlist to a close.
Music Notation and Terminology - Karl Wilson Gehrkens
J
66:27Jennifer StearnsNARRATOR
In the early days of instrumental music, it was necessary to introduce graces of all sorts because the instruments in use were not capable of sustaining tone for any length of time.
J
66:38Jennifer StearnsNARRATOR
But with the advent of the modern piano, with its comparatively great sustaining power, and also with the advent in vocal music of a new style of singing, German Lieder singing as contrasted with Italian coloratura singing, ornamental tones were used less and less, and when found now are usually written out in full in the score instead of being indicated by signs.
J
67:02Jennifer StearnsNARRATOR
End of chapter six.
J
67:04Jennifer StearnsNARRATOR
Recording by Jennifer Stearns, Concord, New Hampshire.
A Study in Scarlet - Sir Arthur Conan Doyle
P
32:07Phil ChenevertNARRATOR
"'I see that I have alluded above to his powers upon the violin.
P
32:12Phil ChenevertNARRATOR
"'These were very remarkable, but as eccentric as all his other accomplishments.' and that he could play pieces and difficult pieces I knew well, because at my request he has played me some of Mendelssohn's Lieder and other favourites.
P
32:27Phil ChenevertNARRATOR
When left to himself, however, he would seldom produce any music or attempt any recognised air.
P
32:34Phil ChenevertNARRATOR
Leaning back in his arm-chair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee.
6 more episodes mention Lied.
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