Letterer

Nick Lowe traces the sound effect thwip, the iconic onomatopoeia for Spider-Man's web shooters, all the way back to letterer Artie Simek in Amazing Spider-Man number 36

To see a letterer from a vintage Silver Age issue serve as the foundational marketing hook for a 2027 publishing initiative is, well, almost unheard of

Letterers rarely get the spotlight

Lettering is the ultimate invisible art

It truly is.

Hi-Fi Design, Disraeli and Phil Elliott.

Letterers were Jimmy Bettencourt, Richard Starkings, Disraeli again and Comicraft.

Now, news at the time.

Strictly fucking Torchwood news at the time.

The inker is Frank Giacoia.

Letterer is Rick L. Parker, and the colorist is Bob Sharen.

This is reprinted in Essential Spider-Man Volume 11 trade paperback from 2012, or you can find it in Amazing Spider-Man: Mark of the Tarantula trade paperback, or also in The Spider-Man by Roger Stern Omnibus, and also under the Marvel Masterworks Volume 293 of Amazing Spider-Man Volume 22.

Phew.

Penciller is Jerome K. Moore.

Inker is Rodin Rodriguez.

Letterer is Adam Kubert.

The colorist is Thomas J. Zuko.

Inker, Vince Coletta.

Letterer, Joseph Rosen.

Colorist, your favorite, especially John's favorite, Nelson Yamtov.

And the editor, Bob Harris.

Colorist, Frank Martin.

Letterer, Clayton Cowles.

Cover, Jurgada and Martin.

Editor, Andrew Marino.

Artist, Mikkel Janine.

Colorist, Mikkel Janine.

Letterer, Wes Abbott.

Cover, Mikkel Janine.

It's his character.

But Inks, Kevin Conrad, Tom Orszakowski, Letterer, Todd Broker, Colorist, and Computer Color Assist by Roy Young.

And I think, I don't know if this is standard in these comics, but for small comics, but they give you a summary.

Oh, okay.