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Leni Riefenstahl

Leni Riefenstahl

German filmmaker and photographerWikipedia

Search complete. 46 mentions across 26 episodes found for "Leni Riefenstahl".

Nov 5, 2026

Paul PfeifferGUEST
40:15
Hello, Madeline.
Madeleine BrandHOST
40:16
The title of your show, Olympia, is also the title of a famous Olympics chronicler back in the 1930s named Leni Riefenstahl, who worked for the Nazis.
Madeleine BrandHOST
40:33
So why did you want to use that same title?
Paul PfeifferGUEST
40:37
Yeah, it was less about the movie and its association with the Nazis per se, and more about the nature of Leni Riefenstahl after the fact.
Paul PfeifferGUEST
40:52
For the rest of her life after World War II, she claimed a kind of pass for her association and with her creative work for Hitler, saying that ultimately she was only concerned with the aesthetics of of representing subjects like the Olympics, and that therefore her work as an artist was apolitical.
Paul PfeifferGUEST
41:14
So in a way, my interest in invoking her through the title was to revisit that debatable argument in our current moment, where the relationship of image-making to politics seems both so potent and yet so slippery.
Chris PlanteHOST
21:45
Triumph is the headline at Mediaite.
Chris PlanteHOST
21:49
It's the triumph of the will, like Adolf Hitler's filmmaker, Lenny Riefenstahl, made.
Chris PlanteHOST
21:55
And now they're going to drive the Jews out of Philadelphia just for openers.
Chris PlanteHOST
21:59
And I'm going to share this with you coming up, but it's also a mailbag day.
AshHOST
6:47
Oh, it's third for me
JulianHOST
6:49
because I covered a finger of God with Lenny and Lucien on Worldwide Panic recently.
JulianHOST
6:54
I have to share that in the feed.
JulianHOST
6:57
But that was very much like this movie, like Furious Love, but without the added premise of Furious Love.
AshHOST
9:00
Yeah.
AshHOST
9:02
He is like...
AshHOST
9:05
He really is like the Lenny Riefenstahl of like Christian filmmaking.
AshHOST
9:08
He's going to
Steve AbramowiczHOST
40:24
When Speer designed the Colossal Tribune at Nuremberg's Zeppelin Field, the stage for Hitler's most famous rallies, the fingerprint of Pergamon is unmistakable.
Steve AbramowiczHOST
40:36
And when Lenny Riefenstahl films Triumph of the Will in 1935, the propaganda film that defined the Nazis' image, the camera lingers on staircases and platforms built on the altar's blueprint.
Steve AbramowiczHOST
40:49
The altar survives the war, barely.
Steve AbramowiczHOST
40:52
In 1945, Soviet troops seized it, hauling the treasure east as a trophy of victory.
speaker_0HOST
3:30
Examples are apparent in Louis Vuitton's LV Dream from 2022, Amazon's The Glow from 2023, Nike's Dream Crazier from 2019, and countless others.
speaker_0HOST
3:43
The Nazi worldview was marketed with elaborate rallies designed by Albert Speer and filmed elaborately by Leni Riefenstahl.
speaker_0HOST
3:50
Plays were performed at dozens of open-air amphitheaters to evoke a romanticized Celtic and Germanic past, designed to create a quasi-religious communal experience.
speaker_0HOST
4:01
Communist regimes likewise used mass pageantry to market their worldview using futurist, industrial, and militaristic themes.
Tony RobinsonNARRATOR
14:48
A new mood in the mountains, perfectly caught by the popular mountain films.
speaker_18GUEST
15:17
What can be seen in these films, in the Trinity of Mountain films by Frank, Trenker and Riefenstahl, is of course the struggle between the little man and the huge mountain.
speaker_18GUEST
15:40
These films were received with great enthusiasm.
speaker_18GUEST
15:43
People wanted idols.
Peter SudermanHOST
64:03
It leaves open the possibility that that is what happened to her.
Nick GillespiePANELIST
64:08
There's a great 1993 documentary by Ray Mueller, a German director, called A Wonderful Horrible Life of Leni Riefenstahl, where he actually got to spend a lot of time with her near the end of her life.
Nick GillespiePANELIST
64:22
And it's this type of thing where she has constantly been telling different versions of the story of her relationship to the Nazi regime and Hitler in particular.
Nick GillespiePANELIST
64:32
And it's incredibly fascinating to watch.
AshHOST
20:53
a classic way to draw men for sure
Ivy FoxHOST
20:55
yeah um but especially doing it to like um doing it to like a black tribal African man is just like extremely Lenny Riefenstahl you know I don't know what
AshHOST
21:16
this means
Ivy FoxHOST
21:17
to drop an extremely Lenny Riefenstahl is the German filmmaker who directed the big Nazi film I don't remember what it's called.
AshHOST
21:35
Triumph of the Will.
Ivy FoxHOST
21:36
Triumph of the Will, yes.
Ivy FoxHOST
21:51
Yes, and famously there was a black runner there, and she spent a lot of time filming him and taking pictures of him.
Ivy FoxHOST
21:59
And then after she was acquitted, she went to Africa and she took a bunch of pictures and films of various tribes there.
Simon WhistlerHOST
11:35
He already lived in a society that discriminated against people like him.
Simon WhistlerHOST
11:38
Who cared if Germany was yet another country that didn't like Black folk? Adolf Hitler's Olympics opened on August the 1st with a spectacular ceremony memorably captured on film by real-life Stormfront equivalent Leni Riefenstahl.
Simon WhistlerHOST
11:50
But while the games were designed as a showcase for the Reich, Hitler was sure to show only the good parts.
Simon WhistlerHOST
11:56
For the whole fortnight, racial laws were quietly relaxed.
Frank RichGUEST
28:56
He was not a Nazi.
Frank RichGUEST
28:58
Uh, he wasn't a, he was a liberal politically to the extent he had any politics, and he's sort of enticed by Goebbels to make m- movies for, for the, the Nazi, uh, film studio that Goebbels set up, not to make propaganda movies like Leni Riefenstahl, but really to make, like, musical comedies and romantic comedies and drama, costume dramas, and he ends up working for him.
Frank RichGUEST
29:21
So they, he wasn't making political films.
Frank RichGUEST
29:23
He was not a Nazi.

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