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Search complete. 14 mentions across 6 episodes found for "LCARS".

Sep 16, 2026

Mark O'NeillHOST
34:56
You have to empty the liquid bin.
Eddie EdwardsHOST
34:58
Do you get, do you get, like, a little email every, like, once every, like, f- month where you come through on the LCARS system, and they open it up and it's like, "Riker, do you still need all eight versions of Fuck Palace 12?" [laughs]
Mark O'NeillHOST
35:11
Yeah.
Eddie EdwardsHOST
35:12
"Uh, or can we delete them to make space because w- you've...
Tariq MalikHOST
25:39
So now I know your, your first taste of space, and now, you know, the, your, your first taste of, of, of, of, of Star Trek.
Tariq MalikHOST
25:48
But I, it was, it was the, the LCARS look, I think, that really grabbed me.
Tariq MalikHOST
25:54
I had a, I had an encyclopedia of this for my computer-
Rod PyleHOST
25:58
[laughs] Of course you did
Tariq MalikHOST
27:22
Mm-hmm.
Tariq MalikHOST
27:23
Mm-hmm.
Michael OkudaGUEST
27:23
And so what I tried to do with the, uh, w- I call them organization bars of, uh, the, the LCARS style, I wanted there to be a very, very strong, obvious, uh, uh, sense of organization, even from a considerable distance.
Michael OkudaGUEST
27:42
Even if, even if the, even if that shape isn't, uh, is in the background and out of focus, I want you to know that, uh, these are grouped together.
Tariq MalikHOST
27:26
So now I know your, your first taste of space, and now, you know, that, your, your first taste of, of, of, of, of Star Trek.
Tariq MalikHOST
27:34
But I, it was, it was the, the LCARS look, I think, that really grabbed me.
Tariq MalikHOST
27:41
I had a, I had an encyclopedia of this for my computer-
Rod PyleHOST
27:44
[laughs] Of course you did
Michael OkudaGUEST
28:52
Uh, and that immediately turned, threw me into a tailspin, and he said, um, uh, uh, he had said that he wanted the technology of Star Trek to be something that he called technology unchained, uh, so advanced that it becomes simple.
Tariq MalikHOST
29:09
Mm-hmm.
Michael OkudaGUEST
29:10
And so what I tried to do with the, uh, what I call them organization bars of, uh, the, the LCARS style, I wanted there to be a, a very, very strong, obvious, uh, uh, sense of organization, even from a considerable distance.
Michael OkudaGUEST
29:29
Even if, even if the, even if that shape isn't, uh, is in the background and out of focus, I want you to know that, uh, these are grouped together, this flows into that, uh, this intersects with that.
Tariq MalikHOST
22:38
So now I know your, your first taste of space, and now, you know, that, your, your first taste of, of, of, of, of Star Trek.
Tariq MalikHOST
22:47
But I, it was, it was the, the LCARS look, I think, that really grabbed me.
Tariq MalikHOST
22:53
I had a, I had an encyclopedia of this for my computer-
Rod PyleHOST
22:57
[laughs] Of course you did
Tariq MalikHOST
24:22
Mm-hmm.
Rod PyleHOST
24:22
Mm.
Michael OkudaGUEST
24:22
And so, uh- What I tried to do with the, uh, well, I call them organization bars of, uh, the, the LCARS style I wanted there to be a very, very strong obvious, uh, uh, sense of organization even from a considerable distance even if, even if the, even if that shape isn't, uh, is in the background and out of focus I want you to know that, uh, these are grouped together, this flows into that, uh, this intersects with that.
Michael OkudaGUEST
24:53
And even if you don't necessarily know what it does you ha- you have a sense that, that it's, it's organized but it's done so, but it, you're organizing something very complex.
Tariq MalikHOST
22:38
So now I know your, your first taste of space, and now, you know, that, your, your first taste of, of, of, of, of Star Trek.
Tariq MalikHOST
22:47
But I, it was, it was the, the LCARS look, I think, that really grabbed me.
Tariq MalikHOST
22:53
I had a, I had an encyclopedia of this for my computer-
Rod PyleHOST
22:57
[laughs] Of course you did
Michael OkudaGUEST
24:04
Uh, and that immediately turned, threw me into a tailspin and he said, um, uh, uh, he had said that he wanted the technology of Star Trek to be something that he called technology unchained, uh, so advanced that it becomes simple.
Tariq MalikHOST
24:22
Mm-hmm.
Michael OkudaGUEST
24:22
And so, uh- What I tried to do with the, uh, well, I call them organization bars of, uh, the, the LCARS style I wanted there to be a very, very strong obvious, uh, uh, sense of organization even from a considerable distance even if, even if the, even if that shape isn't, uh, is in the background and out of focus I want you to know that, uh, these are grouped together, this flows into that, uh, this intersects with that.
Michael OkudaGUEST
24:53
And even if you don't necessarily know what it does you ha- you have a sense that, that it's, it's organized but it's done so...
Adele Austin AndersonHOST
78:50
On the visual side, Japanese-American designer Michael Okuda stood virtually alone for decades as one of the few high-profile people of color in senior design leadership.
Adele Austin AndersonHOST
79:02
Serving as lead graphic designer and head of the graphics department from The Next Generation through Enterprise, Michael created control panels, computer displays, and alien writing systems, most notably the LCARS interface.
Adele Austin AndersonHOST
79:21
Nassau even recognized him as the lead graphic designer for Star Trek.
Adele Austin AndersonHOST
79:26
His wife, Denise Okuda, who is a white woman, joined the franchise's official live action production staff later in its history, beginning her work in 1993 during Deep Space Nine as a scenic artist and later serving as video playback supervisor on Voyager and Enterprise.

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