Lady Gregory

She was obviously Keira Knightley, wasn't she? And she explodes off the screen in that show.

And I'd seen her do, was it Lady Gregory play at the Abbey? Yeah, that's right.

I was

delighted when she was...

but the glory of george meredith is that he combines subtlety with primal energy he criticised life without losing his appetite for it in him alone being a man of the world did not mean being a man disgusted with the world as a rule there is no difference between the critic and ascetic except that the ascetic sorrows with a hope and the critic without a hope but george meredith loved straightness even when he praised it crookedly he adored innocence even when he analyzed it tortuously he cared only for unconsciousness even when he was unduly conscious of it he was never so good as he was about virgins and schoolboys in one curious poem containing many fine lines he actually rebukes people for being quaint or eccentric and rebukes them quaintly and eccentrically he says of nature the great earth mother whom he worshipped she by one sure sign can read have they but held her laws and nature dear they mouth no sentence of inverted wit more prizes she her beast than this high breed rye in the shape she wastes her milk to rear that is the mark of the truly great man that he sees the common man afar off and worships him the great man tries to be ordinary and becomes extraordinary in the process but the small man tries to be mysterious and becomes lucid in an awful sense for we can all see through him and of section six This is a recording by Coffee Lover 17.

the other day i went to see the irish plays recently acted by real irishmen peasants and poor folk under the inspiration of lady gregory and mr w b yeats over and above the excellence of the acting and the abstract merit of the plays both of which were considerable there emerged the strange and ironic interest which has been the source of so much fun and sin and sorrow the interest of the irishman in england Since we have sinned by creating the stage Irishman, it is fitting enough that we should all be rebuked by Irishmen on the stage.

We have all seen some obvious Englishman performing a patty.

It was, perhaps, a just punishment to see an obvious patty performing the comic and contemptible part of an English gentleman.

Babylonian mothers, however they yielded to etiquette, probably loved their children, and Chinamen unquestionably reverenced their dead.

It is far different when two people are close enough to each other to mistake all the acts and gestures of everyday life.

it is far different when the baptist baker in islington thinks of irish infancy passed amid popish priests and impossible fairies it is far different when the tramp from tipperary thinks of irish death coming often in dying hamlets in distant colonies in english prisons or on english gibbets there childhood and death have lost all their reconciling qualities the very details of them do not unite but divide hence england and ireland see the facts of each other without guessing the meaning of the facts for instance we may see the fact that an irish housewife is careless but we fancy falsely that this is because she is scatter-brained whereas it is on the contrary because she is concentrated on religion or conspiracy or tea you may call her inefficient but you certainly must not call her weak in the same way the irish see the fact that the englishman is unsociable they do not see the reason which is that he is romantic this seems to me the real value of such striking national sketches as those by lady gregory and mr singe which i saw last week here is a case where mere accidental realism the thing written on the spot the slice of life may for once in a way do some good all the signals all the flags all the declaratory externals of ireland we are almost certain to mistake If the Irishman speaks to us, we are sure to misunderstand him.

But if we hear the Irishman talking to himself, it may begin to dawn on us that he is a man.

not in any way associated with making artistic decisions about the theatre.

Lady Gregory magnificently says, if we have to choose between our subsidy and our artistic freedom, we will choose our freedom.

And that shot him up.

Like, leave it alone.

We'll make the decisions about this.

But

wasn't she clever as well in that Lady Gregory knew certain things would have to come out, including the accelerated birth scene that you mentioned there.

Yes, she did.

I mentioned James Connolly.

I mentioned Lady Gregory in the Abbey Theatre Massacre.

I mentioned the Daniel O'Connell statue and the angels under O'Connell.

So, yeah, I tried to cram as much Dublin in the 1910s into that song and into the whole album and even some sayings and stuff.

End of The Diabolical Circle.

Circle.Spreading the News by Augusta Gregory.

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Spreading the News by Augusta Gregory.

Characters.

Stage directions read by Availle.

Oh, God, we had great crack.

So we made a documentary about Lady Gregory and again, another woman that was probably heavily airbrushed by Yates, the fucker.

The more I learned about that man, I was like, I'm down with Yates.

But it was about, I suppose, she was a founder at the Abbey, but me and Miriam went around learning about our history, our story.

Mm.

W- for me, Lady Gregory, I think it was, the, one of her mythological books, I b- I bought that around the fir- same time as I bought The Mabinogi-

Mm

... or The Mabinogion, as it's called in the book.

Um, and, and it's kind of like a way that I'm going to get to know the culture of my grandad.

Anyway-

I think this whole journey i- of this exploration, since we pulled that, when we pulled that last time, I thought, "Oh, now I've only experienced the four treasures through the books of, uh, Lady Gregory," um, which is like I spoke to you before, and a camp that we put on-

Oh, yeah

All LibriVox recordings are in the public domain.

For more information or to volunteer, please visit LibriVox.org. Lady Gregory.

It was Mr. Bernard Shaw who, in commenting on the rowdy reception of the Irish players in some American theaters, spoke of Lady Gregory as the greatest living Irish woman.

She is certainly a remarkable enough writer to put a generous critic a little off his balance.

Equal mistress in comedy and tragedy, essayist, gatherer of the humors of folklore, imaginative translator of heroic literature, venturesome translator of Molière, she has contributed a greater variety of grotesque and beautiful things to Anglo-Irish literature than any of her contemporaries.

Mr. Birmingham has given us farce with the salt of reality.

Miss Somerville and Miss Ross, practical jokers of literature, turned to reality as upper-class patrons of the comic.

But Lady Gregory has gone to the reality as to a cave of treasure.

Perhaps Corn Murphy's ancestors were part of the 1798 rebellion also.

To make this story even more complicated, mixed into the song's history is a famous one-act play of the same name, The Rising of the Moon, written by the legendary Irish woman called Lady Gregory.

Her play, The Rising of the Moon, what else, explores Anglo-Irish relations at the beginning of the 20th century.

It does not specifically cover either the 1798 or the 1867 rebellions.

Isabella Augusta, or Lady Gregory, born in Galway in 1932, was an Anglo-Irish dramatist, folklorist, and theater manager.

With William Butler Yeats and Edward Martin, she co-founded the Irish Literary Theater and the Abbey Theater.

She wrote numerous other short works for both theater companies.