Labrinth

[laughs]

So you know, I mentioned it the other day about this tune, that Labrinth tune.

Yeah.

Uh, so he goes, "Mount Everest ain't got shit on me, 'cause I'm on top of the world." It's a tune.

It is not exactly the twinkling, whimsical sound of a magical music box.

And the Teen Vogue article points out a very interesting contextual detail, which is that Zimmer is currently also working on the original score for Season 3 of Euphoria with Labrinth.

That is a staggering sonic departure from the precedent set by John Williams.

It really is.

Incredible taste in music.

He wants to hear a bit of Labyrinth and

Tiny Temper.

Wow.

And one time, okay, story time.

One time I had this boyfriend and he was fine, whatever.

And I did this whole day shoot with Labyrinth and he was a legend.

We're vibing, we're friends.

Um, the latest or greatest artist you've worked with.

I think, like, probably I would say the most talented person I've ever worked with, and he's not the, you know, biggest act in the world, he's fantastic, but I'd say Labrinth is probably ...

I think he's so talented, even more talented than people, like, know.

I think, yeah, he's just fantastic guy, just, yeah, just extraordinary talent.

I feel like this is another thing I keep speaking to artists about at the moment.

I dunno if you listen to Labrinth's new album.

I haven't.

Okay, so he put out two.

I, I agree 100%-

Yeah

... with Labrinth and Phil.

I feel it.

... to be able to play artists right at the very, very start of their career.

I remember, I remember before I pressed play on Labrinth's Earthquake-

Mm.

Wow

...

he wrote this book, Labrinth, with the LA.

Mm-hmm.

Labrinth.

Um-

Oh, hell yeah, dude