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Klaus Schulze

Klaus Schulze

German musical composer and musicianWikipedia

Search complete. 17 mentions across 8 episodes found for "Klaus Schulze".

Oct 6, 2026

Brett VargoHOST
57:29
[laughs] All right, how about your next pick?
Danielle DePicciottoGUEST
57:30
I'd say, um, Klaus Schulze, Elektronik Impressionen.
Danielle DePicciottoGUEST
57:37
And it's a, it's a funny sa- story how I discovered this album.
Danielle DePicciottoGUEST
57:40
I was doing an exhibition, because I also paint, and um, I was in this little off-gallery with this very, how would you say, um-
Alexander HackeGUEST
58:21
[laughs]
Danielle DePicciottoGUEST
58:21
Exactly.
Danielle DePicciottoGUEST
58:22
In any case, so I played Klaus Schulze with bird sounds, and I actually, a lot of his albums I don't really like, 'cause they're very, um-
Brett VargoHOST
58:31
Meandering?
TonyHOST
13:06
You know, a lot of their other influences started to come through.
TonyHOST
13:09
So, like, I know a lot of those guys were fans of like, you know, Klaus Schultz and other dark synth artists.
TonyHOST
13:14
Depeche Mode was real big, you know, at the time in Europe.
TonyHOST
13:17
So there's a lot of like that,
Shawn O'SullivanHOST
75:17
Um, uh, turned up in some, some, some...
Shawn O'SullivanHOST
75:21
Earlier in her career, turned up in some very excellent French erotica, such as the, uh, the, the film Body Love, which has a great Klaus Schulze soundtrack.
ChrisHOST
75:30
Yeah.
Shawn O'SullivanHOST
75:30
Um, uh-
CarlaHOST
20:56
This was the winter of 1969 to 1970.
CarlaHOST
21:01
Schnitzler would then leave to join Tangerine Dream with Klaus Schulze and Edgar Frose.
CarlaHOST
21:06
Moe and Roe stuck together and rebranded themselves as C-Cluster.
BradHOST
21:11
C-Cluster continued to partner with Connie Plank, who was a credited member of the band on their first record, Cluster 71.
Steven WilsonGUEST
44:37
Base Community has always had that prog rock aesthetic of I want the piece to feel like it's developing.
Steven WilsonGUEST
44:42
Again, this is what, this is what set Tangerine Dream apart from, say, someone like Klaus Schultz.
TobiasHOST
44:48
Mm.
Steven WilsonGUEST
44:48
And I love both of them equally, and of course, they both came from the same place.
Steven WilsonGUEST
44:52
But Klaus Schultz was always about, "I've got this interesting sound world.
Steven WilsonGUEST
44:57
Now I'll basically let it run for 30 minutes."
TobiasHOST
44:59
Yeah.
Steven WilsonGUEST
45:13
It would be much more modular.
TonyHOST
81:30
It's like, well, no, it's not, but they're experimenting.
TonyHOST
81:32
And like, they're obviously huge fans of like tangerine dream and Klaus Schultz.
TonyHOST
81:36
But then you get, if you stick with it, you get absolute everywhere, which is, a masterpiece in my opinion.
TonyHOST
81:43
I mean, you're, you're talking like equal parts, death metal, equal parts like Pink Floyd and you get that because of their experimentation.
John MerrickHOST
44:31
Um-
Seamus ColganGUEST
44:32
Well, if, if this was, as I said, Tangerine Dream or Klaus Schulze, uh, or Ashra Temple, they would've stretched this over a whole 20 minutes.
Seamus ColganGUEST
44:40
It's, it...
Seamus ColganGUEST
44:41
This is song that really do with breathing.
Steve GouldHOST
49:52
They were using that because of the ambivalence of analog synthesizers.
Steve GouldHOST
49:59
The only problem was, and I was a big fan of Klaus Schulze.
Steve GouldHOST
50:04
Huge, huge fan.
Steve GouldHOST
50:06
I used to write to the guy.
Steve GouldHOST
50:27
You know, I'd look forward to hearing how they get it.
Steve GouldHOST
50:29
And they couldn't reproduce it because they didn't know how they got there in the first place.
Steve GouldHOST
50:35
But obviously with the advent of samplers and so on, If you've ever heard any of Klaus Schulze's back catalogue, I mean, he's got an immense back catalogue.
Steve GouldHOST
50:45
Oh, wonderful stuff.

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