KGB

The other

one that you did that also had a similar thing was the KGB video at the end, which she does that like choo-choo, choo-choo with the heels.

Yes.

And everyone was trying to figure out how to do

People talking to her and also like this, again, this rejection of the machine itself is like this integral part of her story.

You know, KGB is like her talking about, I literally studied this shit.

And then Ain't in LA, right? It's like where you are from doesn't need to define who you are or what you are capable of achieving.

Like every single song that is like gotten momentum, like you feel how it is directly derivative of the ethos and her narrative, right? Like all of these things are all in pursuit of one cohesive vision.

For what? Like, for who cares? Like, I could not believe this.

that like that didn't happen.

You know what I mean? But then again, when we talk about, you know, like the success of Adela's music and the songs that really, you know, popped off, like they are all built into this world, right? Like KGB draws from, you know, the Eastern European culture.

backgrounds, like being born there, um, her, you know, uh, it's like very punny and camp in the ways with like the music video and, and this sort of like KGB references there, um, you know, and is silly and provocative in, in the chorus with the KGB, whatever.