
Kehinde Wiley
American painterWikipedia
24
MENTIONS
21
EPISODES
20
PODCASTS
Search complete. 24 mentions across 21 episodes found for "Kehinde Wiley".
Sep 23, 2026
California Sensing
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59:25Gina BeaversHOST
not, you know, we're talking sort of apples and oranges in terms of the way that we're talking about culture and how it's shifted.
G
59:33Gina BeaversHOST
You know, like Amy Sherald, I mean, you know, Trump just... deaccessioned or got rid of the Kehinde Wiley painting at the one embassy.
G
59:43Gina BeaversHOST
So it's completely unacceptable to a part of the culture that Amy Sherald is saying, here are people in my community, here are black Americans on a canvas.
G
59:58Gina BeaversHOST
It's completely culturally unacceptable.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
M
69:51Michael MotiaHOST
Titus Kaphar gets some mention in this book, and there's a novelist, Frederick Weissman.
M
69:58Michael MotiaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
70:05Michael MotiaHOST
Can you tell us about that work and how it helped you see Byzantine art?
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70:11Glenn PeersGUEST
Yeah, yeah.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
M
65:48Michael MotiaHOST
Titus Kefar gets some mention in this book, and there's a novelist, Frederick Weissman.
M
65:55Michael MotiaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
66:02Michael MotiaHOST
Can you tell us about that work and how it helps you see Byzantine art?
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66:08Glenn PeersGUEST
Yeah, yeah.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
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72:41Michael MotiaHOST
um and i mean then and that's i mean one just go go see the documentary um but also it's a way of doing art history too of this this process of you know you see a documentary um and the experience of something in the present helps us then kind of re-see the past um and and a lot of this book is is making that kind of of move um you know titus kafar gets a Some mentioned in this book, and there's a novelist, Frederick Weissman.
M
73:11Michael MotiaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
73:17Michael MotiaHOST
Can you tell us about that work and how it helps you see Byzantine art?
G
73:23Glenn PeersGUEST
Yeah, yeah.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
M
71:55Mike MontillaHOST
And there's a novelist, Frederick Weissman.
M
71:59Mike MontillaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
72:05Mike MontillaHOST
Can you tell us about that work and how it helps you see Byzantine art?
G
72:11Glenn PeersGUEST
Yeah, yeah.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
M
68:42Michael MotiaHOST
Titus Kefar gets some mention in this book, and there's a novelist, Frederick Weissman.
M
68:50Michael MotiaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
68:57Michael MotiaHOST
Can you tell us about that work and how it helps you see Byzantine art?
G
69:03Glenn PeersGUEST
Yeah, yeah.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
M
67:29Michael MotiaHOST
um and i mean then and that's i mean one just go go see the documentary um but also it's a way of doing art history too of this this process of you know you see a documentary um and the experience of something in the present helps us then kind of re-see the past um and and a lot of this book is is making that kind of of move um you know titus kafar gets a Some mentioned in this book, and there's a novelist, Frederick Weissman.
M
67:59Michael MotiaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
68:04Michael MotiaHOST
Can you tell us about that work and how it helped you see Byzantine art?
G
68:12Glenn PeersGUEST
Yeah, so another exhibition encounter that really captivated and changed.
Glenn Peers, "Strange and Familiar History of Byzantine Art: Interpretation, Risk, and Empathy" (ARC Humanities Press, 2026)
M
64:52Michael MotiaHOST
Some mentioned in this book, and there's a novelist, Frederick Weissman.
M
64:58Michael MotiaHOST
But one of the main ones is this work called An Archaeology of Silence by Kehinde Wiley.
M
65:04Michael MotiaHOST
Can you tell us about that work and how it helps you see Byzantine art?
G
65:11Glenn PeersGUEST
Yeah, yeah.
Should Art Be Political?
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14:55Ellie AndersonHOST
But one artist is fighting statues with statues.
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14:59Ellie AndersonHOST
In 2019, Kehinde Wiley, the famed painter of Barack Obama's presidential portrait, crafted a 27-foot-tall sculpture of a man triumphantly poised upon a battle-ready steed.
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15:11Ellie AndersonHOST
He installed it at the Virginia Museum of Fine Arts, right near Richmond's infamous Monument Avenue.
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15:17Ellie AndersonHOST
It looks, in many ways, just like the monuments that once lined that street: huge, imposing, bronze.
Ana, Unfiltered: Parkinson's and the Fight Ahead
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13:22Ana NavarroHOST
So if you don't see the racism at this point, I don't know what is clouding your judgment.
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13:29Ana NavarroHOST
What else is he doing? They're removing what they call woke artwork by artists of color from US embassies, including a painting by the artist, African American artist, Kehinde Wiley.
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13:42Ana NavarroHOST
He's the one that painted the official portrait of Obama that hangs in the Smithsonian.
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13:48Ana NavarroHOST
Oh, the Smithsonian.
11 more episodes mention Kehinde Wiley.
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