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Jule Styne

Jule Styne

American songwriterWikipedia

Search complete. 11 mentions across 9 episodes found for "Jule Styne".

Oct 5, 2026

Patrick Oliver JonesHOST
12:10
And after 30 years of competing over the same customers, the two finally joined forces and Tams-Witmark was born.
Patrick Oliver JonesHOST
12:18
[upbeat music] They became a gatekeeper for what happened to many shows after they left Broadway, especially Golden Age musicals from the likes of Cole Porter, Jule Styne, and the Gershwins.
Patrick Oliver JonesHOST
12:41
But by the 1960s and '70s, they also began acquiring more contemporary shows like Gypsy and A Chorus Line.
Patrick Oliver JonesHOST
12:50
At the same time, high school drama programs were popping up all over the country, and it was Tams-Witmark that held the rights to exactly the kind of shows those programs wanted: big ensembles with familiar songs and stories.
LukeHOST
32:46
So now we're gonna step up once again to our virtual turntable, spin another tremendous tune from Come Swing with Me, Sinatra's sublime 1961 Capitol LP.
LukeHOST
33:04
This second featured song was written in 1942, music by Jule Styne and words by the inimitable Sammy Cahn.
LukeHOST
33:15
Introduced in the 1942 film Youth on Parade, this song was nominated for the Academy Award for Best Original Song, lost out to White Christmas.
LukeHOST
33:28
So-
LukeHOST
33:39
So check that out, but not right now.
LukeHOST
33:42
Anyway, back to the song at hand.
LukeHOST
33:44
The most popular version of this Jule Styne-Sammy Cahn tune from 1942 was done by Harry James and his Orchestra with Helen Forrest handling the vocals.
LukeHOST
33:58
Now, this song, and I'm talking about that version by Harry James, it was done the last day before the start of a musicians' strike that ran from 1942 into 1944.
Al TapperGUEST
26:38
But I didn't know why.
Al TapperGUEST
26:42
So I went to see Julie Stein, who was a great, who wrote Gypsy, and he wrote Funny Girl.
Al TapperGUEST
26:46
The best, Funny Girl.
Al TapperGUEST
26:48
And I knew him.
speaker_0HOST
39:02
Jules Stein passed away in 1994 at the age of 88 from heart failure.
speaker_0HOST
39:09
Real name, Julius Kerwin Stein.
speaker_0HOST
39:14
He was a British-American songwriter and Broadway composer.
speaker_0HOST
39:18
He wrote the scores for Broadway shows like Gypsy, Funny Girl, and Gentlemen Prefer Blondes.
Nicholas Van HoogstratenGUEST
19:15
So, apparently, not everybody was glad to see it.
Nicholas Van HoogstratenGUEST
19:18
And it was the first show Julie Stein did on Broadway.
Nicholas Van HoogstratenGUEST
19:23
Busby Berkeley was the, that's Julie calling now, Busby Berkeley was the choreographer, and it had a rough go in Philly, okay? During the first tryout stop, which was Philadelphia, the original leading man survived being hit by a truck, but he had to leave the show.
Nicholas Van HoogstratenGUEST
19:41
So it was an immediate replacement.
Zara McDonaldHOST
29:58
[laughs]
Michelle AndrewsHOST
30:00
[laughs] This saying was introduced in a song written by Bob Merrill and Jule Styne in 1964 called Don't Rain On My Parade.
Zara McDonaldHOST
30:09
Don't Rain On My Parade.
Michelle AndrewsHOST
30:09
They wrote it for a musical called Funny Girl starring Barbara Streisand.
Rick PenderGUEST
2:45
It had a book by Bert Shevelov, who Sondheim had worked with a few years earlier on Funny Thing Happened on the Way to the Forum.
Rick PenderGUEST
2:52
There were a couple of others, one by Burt Bacharach and Hal David called On the Flipside, one by Julie Stein with Comden and Green called Getting Unmarried.
Rick PenderGUEST
3:02
So they weren't the only musical in this, but the series, as I said, was largely ignored.
Rick PenderGUEST
3:09
The idea of doing this appealed to Sondheim because He had been thinking for a while about doing something that he called a horror musical or a suspense musical, which I think eventually became Sweeney Todd or took form in that way.
Jason EarlesHOST
6:21
Mm-hmm.
Douglas LiebleinHOST
6:22
Um, and it was written by composer Jule Styne and lyricist Bob Merrill, and it was first performed and made famous by none other than Barbra Streisand in the 1964 musical Funny Girl.
Jason EarlesHOST
6:34
Funny Girl.
Shannon FlynnHOST
6:34
Funny.
Kyle MarshallHOST
25:34
You know, you're not the first person to also bring up the comparison to Gypsy, which I do, the more I think about it, is, like, an interesting comparison point for many different reasons.
Kyle MarshallHOST
25:44
One, the time in which Sondheim actually wanted to adapt this would've been around the time he was working with Julie Stein on Gypsy.
Shannon DoharGUEST
25:50
Right.
Kyle MarshallHOST
25:51
But second of all, like, there is this undercurrent of, like, two siblings trying to uphold the directives of a parent [laughs]

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