José Villarrubia

The novel's ending, the sun is going down, and could that have allowed Dracula? So Wagner's using the ambiguity of the ending to continue beyond the original novel with this final book.

So Jose Villarubia is on colors, Rob Lee's on letters.

There's tons of different hardcover editions, signed numbers.

I will mention those are limited to 666 copies, 666.

And there's not a lot of black people of colour working in American comics.

And there is actually a project, I believe, for, I can't remember if it's a book or a documentary, but there is certainly a project that José Villarubia is involved with, exploring this aspect, including his aspect, the aspect of him being gay.

And it has been commented on by colleagues of his at the time.

It doesn't come through in his work, of course, except that he drew fantastic romance comics.

We are talking wide, sprawling rooms, sudden kinetic close-ups on the glint of a blade, and bodies arranged for maximum visceral impact.

And we have to mention the colorist, Jose Villarubia, and the letterer, Todd Klein.

They are critical in keeping these two wild registers from just splitting the book apart.

How did they do that?

That, that you sell me.

The second part was all of his great little commercial ideas like making it bigger, and d- like I said, and, um, getting the right people in Rob Lee, the letterer, and Jose Villarrubia as the colorist.

Everything worked.

So when it comes in, uh, comes to me, I just look at it and I think, "I've ...

If you go to the Kickstarter page, you can read the first five pages.

Um, this is a good opportunity to give a shout-out to our colorist and letterer.

It's colored by Jose Villarrubia, who brings this, uh, terrific kinda old school, uh, coloring sense to the, uh, project.

You know, we, we really wanted to pay homage to the horror comics that we loved when we were kids.