
Jonathan Grant
Creative Lead (ACD level) in advertising, author of Reading the Room: The Inside Story of UK Stand-Up in the 21st Century, former stand-up comedian and comedy agent
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Jul 31, 2026
What You Need To H2Know Episode #12 - Jonathan Grant
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Leaha KaneHOST
absolutely So moving right along, I know we've kind of mentioned artificial intelligence a little bit through our conversation so far, but in simple terms, where do you see artificial intelligence fitting into water and wastewater operations?

Jonathan GrantGUEST
And so many ways, because there's everything from digital twins to, you know, what we're talking about in terms of training to, you know, sandboxes for, you know, for utilities to play around with in terms of if I change out this equipment.

Jonathan GrantGUEST
And I always liken it to the best chess players aren't chess players or chess computers.

Jonathan GrantGUEST
They're players who understand how to take the information from the computer and act based on it.

Jonathan GrantGUEST
So it's very much a human in the loop where you're getting the right decision support.
10 MINS LATER
How marketing became obsessed with comedians
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20:34
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Jonathan GrantGUEST
I've just finished listening to, uh, Alexei Sayle's, um, audiobook, which is from a few years, a few years ago.

Jonathan GrantGUEST
I, I only just re- got around to listening to it, and he talks about in the sort of mid-'80s being approached to advertise a car brand 'cause he had done a bit in his act about that.

Jonathan GrantGUEST
And so you really start to see it ramping up in the kind of late '80s, and then in sort of mid-'90s it kind of explodes a little bit as live comedy becomes a much, much bigger thing and you start getting guys like, you know, I think about Jack Dee doing the John Smith's adverts, which then became Peter Kay doing them in the kind of early to mid-2000s, which were even bigger, and they became these sort of, as TV ads did at that time, these sort of slightly seminal cultural events because it was like, oh, maybe we'll see it during this ad break and we can see that Peter Kay advert everyone wants to, everyone's talking about.

Jonathan GrantGUEST
And so I think there was a very transactional relationship there in that comedians were hired because they had profile, um, because they were entertaining and popular.
23 MINS LATER
BAT BITS #34 (FREE EPISODE): Walla Walla Celebrates Adam West!
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2:34PaulHOST
Mm.

Jonathan GrantGUEST
Uh, his lovely wife Marcel was, was there at the front desk, and we, we formed a friendship.

Jonathan GrantGUEST
He would always give me a call every time he would come into town, and I would make a reservation for him.

Jonathan GrantGUEST
Of course, I would be there right at the front door, VIP service for, uh, for Mr. Adam West.

Jonathan GrantGUEST
Um, kind of a backstory, his brother was a farmer here in Walla Walla, and they were good friends of my family, so he kind of already knew that.
19 MINS LATER
T
22:27TimHOST
Mm.
Jonathan Grant on Reading the Room - Book Club
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Jonathan GrantGUEST
Because you, you, you have, as exactly as you say, had that kind of massive shift where, um, I think because obviously, you know, we all know in terms of the last couple of years, the kind of, you know, dwindling budgets within TV, there's been a lot of external pressure.

Jonathan GrantGUEST
I talked in the book about some of the things, you know, that hap- that have happened to the, you know, the BBC is in- increasingly in the last few years particularly been a kind of a political kind of punching bag, whatever your opinion of it.

Jonathan GrantGUEST
There are external pressures and forces and scrutiny on it now that maybe there, there weren't before.

Jonathan GrantGUEST
And you also had, you know, if you go back 10, 15 years, the kind of the idea was when you start doing well on the circuit, you would then make that step up to, exactly as you said, the panel shows.

Jonathan GrantGUEST
And now I know there are some of those, so you've got obviously "8 Out of 10 Cats Does Countdown," which has been going a long time.
