Jonathan Glazer

I'd honestly compare it to the zone of interest in a lot of ways.

And it is executive produced by Jonathan Glaser.

Yeah.

And it has that sense of the world ignoring something that's going on right next door.

I kind of liked it in the sense that, like, you are kind of, like, distant from it.

It was almost similar to how Jonathan Glazer shot, um, um, Zone of Interest 'cause he kinda shot it similarly, where he set up pretty much security cameras and was hiding out in a trailer outside the house and would have the actors perform out all the scenes just with themselves and then the cameras just by themselves.

And so, I mean, it's, like, an interesting way of, like, maybe getting a little bit distance and, like, trying to truly see it as, like, the audience member.

But yeah, I'm totally, uh, interested and would love to do, like, a traditional narrative, uh, feature.

Oh.

I thought about Carpenter's Christine, and I thought about Jonathan Glazer's Under the Skin.

Yeah.

And maybe Cronenberg's Dead Ringers.

I mean, one being, You know, Gaza is not that far away and people who are just sitting in their homes there are being killed.

Well, Jonathan Glazer was a producer on this film.

You know, all of this, it's The Guardian, you know, The Guardian newspaper.

That's really the production company.

Can't get rid of their only Spanish stars.

But I mean, it's like they made an example of Jonathan Glazer also.

They did.

Yep.