Jon Burlingame

You may remember Alexander joined us last year right around this time to talk about his work on Guillermo del Toro's Frankenstein.

And here he is once again in conversation with our regular guest host, music journalist John Burlingame.

I'll let John take it from here.

Our guest today

It is now playing in theaters and Dolby Cinemas in Dolby Vision and Dolby Atmos.

We'll have links, as always, in our show notes.

And thanks once again to John Burlingame for yet another excellent interview.

Award season is upon us once again, so you'll be seeing a lot more of John in the coming weeks, including our special one-on-one in-person interview with three-time Academy Award-winning composer Ludwig Göransson.

If the script had stunk, or Attenborough had hated it, or Levine had hated it, he would've been out a lot of money, millions and millions of dollars, 'cause we were hiring people, and starting to build, and trying to get the rights to, for this bridge and that bridge.

I'm Jon Burlingame.

Uh, I write about film music for Daily Variety, and I teach the history of film music at USC.

I'm the author of three books on the subject, most recent of which is Sound and Vision: Sixty Years of Motion Picture Soundtracks.