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John Lee Hooker

John Lee Hooker

American singer-songwriter and guitaristWikipedia

Search complete. 70 mentions across 51 episodes found for "John Lee Hooker".

Sep 17, 2026

Jim SamariaHOST
68:35
Yeah, blues or country, right? Yeah.
Jim SamariaHOST
68:38
Because John Lee Hooker also recorded an album before a prison audience, and that was titled Live at Soledad Prison.
Jim SamariaHOST
68:45
And the cool thing about this album is that Hooker brought his 20-year-old son, John Lee Jr., to be part of the performance.
Mark PlotnickHOST
68:51
Yeah, Jim, here's the back story on that.
Jim SamariaHOST
69:24
No.
Jim SamariaHOST
69:25
Okay.
Jim SamariaHOST
69:25
Well, let's listen to John Lee Hooker getting his boogie on for the Soledad audience with the song Bang, Bang, Bang, Bang.
Jim SamariaHOST
69:32
And if this tune sounds a little familiar, it's because it's just another take on Hooker's great song, Boom,
Bill BlackwellGUEST
2:57
As a young, you know, 14, 13-year-old kid listening to music, you would hear Bob Seger, you would hear Aretha Franklin, you would hear Marvin Gaye.
Bill BlackwellGUEST
3:08
You would hear John Lee Hooker, who was, at that time, you know, in the city.
Bill BlackwellGUEST
3:12
And so if it was getting airplay or selling records, you would hear all those genres of music, which little disappointed now.
Bill BlackwellGUEST
3:20
It's, you know, our industry is so segmented.
Robert KidneyGUEST
59:10
Okay.
Robert KidneyGUEST
59:13
John Lee Hooker, this is how I remember it.
Robert KidneyGUEST
59:18
John Lee Hooker was going to play at the Old Agora, the one that I think burned down.
Robert KidneyGUEST
59:28
Hank LeConte.
Robert KidneyGUEST
59:29
And it was a great place, wonderful place.
Robert KidneyGUEST
59:34
It's where Jimmy Bell was recorded.
Robert KidneyGUEST
59:37
The new Agora is another deal, but the old Agora was a fantastic place.
Robert KidneyGUEST
59:42
And John Lee Hooker was going to play at the Agora.
Wendy MogelGUEST
25:01
"Could you tell them to chillax?" There is a lyric, let me just see if I have it right here.
Wendy MogelGUEST
25:10
Okay, so it's John Lee Hooker, and it's, this is the lyric: "One night I was lying down, I heard Mama and Papa talking.
Wendy MogelGUEST
25:19
I heard Papa say to Mama, 'Let that boy boogie woogie.
Wendy MogelGUEST
25:23
Let that boy boogie woogie, 'cause it's in him and it's got to come out.'" This is true for boys and girls.
RickyHOST
44:40
[laughs]
MeredithHOST
44:42
John Lee Hooker?
RickyHOST
44:44
John Lee Hooker?
MeredithHOST
44:45
Baby, please don't go.
RickyHOST
44:46
I thought it... [laughs] I thought it was Peter Cetera.
Banning EyreGUEST
8:44
And i- it was one of those phenomena where when radio starts, Africans are hearing music from other parts of the world, and they actually recognize themselves in...
Banning EyreGUEST
8:56
They heard John Lee Hooker and they, "Oh, that sort of sounds like us." [upbeat music] So, so the, the, the A- the West African element that went into making the blues comes back to Africa in radio in the '50s and '60s, and leads to this whole adaptation of guitars and electric guitars, and playing their own traditional music, except now really rocking out with it, using their own melodic and rhythmic languages.
Banning EyreGUEST
9:31
But there's a, there's definitely a conversation back and forth going on there.
Banning EyreGUEST
9:36
[upbeat music] [singing] The griot music, I actually think of it, I mean the Mande griot music with the seven-note scales, I actually think of it as being more, more linked to other kinds of American folk music.
Banning EyreGUEST
12:30
A lot of folk music of West Africa, a lot of folk music of America, blues included, are like twins separated at birth, you know? And, and, and they, they, they, they've had totally different lives, and they've d- they've gone in very many different directions, but there's still something there that unites them.
Banning EyreGUEST
12:47
And I think this is why when African music started to become promoted, shall we say, in America by record companies, concert pref- presenters, our radio show, the music that most, that most succeeded, that, that got the most tours, the most record sales, was mostly from West Africa, which is where most of the African Americans came from or have ancestry.
Banning EyreGUEST
13:18
So, so people without understanding or analyzing at all could just recognize themselves in the music, much the way the Africans recognized themselves when they heard John Lee Hooker.
Banning EyreGUEST
13:30
And so there's this, there's this intuitive thing that, that made those artists more understandable.
Derek TrucksGUEST
34:54
It was probably 100, 150 people.
Derek TrucksGUEST
34:56
I saw John Lee Hooker there.
Derek TrucksGUEST
34:57
Met Coco Taylor there at, at nine.
Derek TrucksGUEST
34:59
Like, there was the re- like, the, the blues scene then was they were playing for 50 people, like guys that were huge in the '60s and then had careers after that.
Derek TrucksGUEST
34:54
It was probably 100, 150 people.
Derek TrucksGUEST
34:56
I saw John Lee Hooker there.
Derek TrucksGUEST
34:57
I met Coco Taylor there at, at nine.
Derek TrucksGUEST
34:59
Like, there was the re- Like, the, the blues scene then was they were playing for 50 people, like guys that were huge in the '60s and then had careers after that, but the '80s were just a dead time.
Big Daddy Ray HansenHOST
9:49
I have two for you.
Big Daddy Ray HansenHOST
9:50
He'll cover the John Lee Hooker tune, Dimples.
Big Daddy Ray HansenHOST
9:53
But first, here is James Buddy Rogers with the B.B. King tune, Never Make a Move Too Soon.
Shawn AmosSOUNDBITE_SPEAKER
10:10
Three days of snow in Birmingham Thought you would wonder where I am I rang your number all night long There's no comfort on the telephone I ran out and caught a midnight flight You left me with I ran it up ten times fifty grand I cashed it in, held it in my hand That kind of word gets around And makes a lost love come about I hear you knocking at my door But you ain't living with me no more Look out baby I think you made your move too soon I've been from Spain to Tokyo, from Africa to Ohio.

55 MINS LATER

Katie KnippSOUNDBITE_SPEAKER
67:36
And my name's Kaylee.
Katie KnippSOUNDBITE_SPEAKER
67:39
Come here.
Big Daddy Ray HansenHOST
67:58
In 2022, guitarist Anthony Pauly was performing with his soul orchestra on the legendary Blues Cruise when he hit it off with vocalist Willie Jordan, who had played with his good friend Elvin Bishop and for two years with John Lee Hooker.
Big Daddy Ray HansenHOST
68:11
Well, conversation turned into a full-fledged plan, and soon Willie joined the 12-piece soul orchestra as a vocalist, a gig he's had for the last four years.
Jesse Fox MaysharkHOST
38:09
And while the blues as a musical form long since spread across the globe, the festival remains focused on its regional and African American roots.
Jesse Fox MaysharkHOST
38:18
Over the years, it has featured now deceased blues legends like Muddy Waters, John Lee Hooker, and Big Joe Williams.
Jesse Fox MaysharkHOST
38:25
This year's headliners include the Los Angeles R&B and soul singer Leela James, and Clarksdale, Mississippi blues singer O.B. Buchana.
Jesse Fox MaysharkHOST
38:34
Its most direct connection to blues heritage comes through 92-year-old Grammy-winning bluesman Bobby Rush.

41 more episodes mention John Lee Hooker.

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