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Johannes Vermeer

Johannes Vermeer

Dutch painterWikipedia

Search complete. 147 mentions across 37 episodes found for "Johannes Vermeer".

Sep 11, 2026

Simon WhistlerHOST
3:24
Nevertheless, some of the greatest paintings of the second millennium were created during the 17th century, during the Dutch Golden Age.
Simon WhistlerHOST
3:31
Painters like Vermeer were creating hyper-realistic masterpieces.
Simon WhistlerHOST
3:36
But how did they do this without access to colours? Where did they get the colours from? Well, they had access to colors, and they came from all around the world, from really strange places and from really strange things.
Simon WhistlerHOST
3:47
And they would come here, to Dakat, where they would go in a windmill and they'd be ground up and turned into pigments.

5 MINS LATER

Piet KempenaarGUEST
9:23
The problem with all those painters was, if you're being a famous artist, you've got a manager behind you.
Piet KempenaarGUEST
9:29
Sure.
Piet KempenaarGUEST
9:30
And that was the problem with people like Rembrandt or Johannes Vermeer.
Piet KempenaarGUEST
9:35
They had no manager.
Steve StocktonHOST
440:05
They did the same to a portrait of a lady and a gentleman.
Steve StocktonHOST
440:08
Then they walked over to a masterpiece by Johannes Vermeer called The Concert.
Steve StocktonHOST
440:13
There are only 34 Vermeers left in the whole world, friend.
Steve StocktonHOST
440:17
They sliced it out, rolling it up like a poster of some forgotten rock band.
Steve StocktonHOST
440:22
They took sketches by Degas, a landscape by Flinck, and an ancient Chinese beaker.
Steve StocktonHOST
442:25
So, the thieves stole the sun, only to realize they could never let it shine.
Steve StocktonHOST
442:30
I think about those paintings sometimes when the house gets quiet.
Steve StocktonHOST
442:34
I think about Rembrandt's furious storm and Vermeer's beautiful, silent concert.
Scott CrawfordGUEST
5:49
As in many cases elsewhere in Three Tribes, we get a nuanced view of the Dutch.
Scott CrawfordGUEST
5:54
And speaking of great Dutch artists, the book also has Jan mention the young Vermeer as if he were studying with Fabritius.
Scott CrawfordGUEST
6:02
That is possible, but not established.
John RossHOST
6:04
Vermeer, hmm.
John RossHOST
6:06
Yeah, about a dozen years later, he's painting that magnificent girl with a pearl earring.
John RossHOST
6:13
Absolutely exquisite.
John TuomeyGUEST
6:02
So the thought of it wearing a, it wearing a jacket, you know, it wearing a protective garment, um, seemed like a nice analogy.
John TuomeyGUEST
6:10
And, and I don't know, I was looking at paintings by Vermeer in the Nat- Irish National Gallery where, where the...
John TuomeyGUEST
6:19
You're thinking about the space between the sleeve and the body, [laughs] you know, um, the in-between space, if you like.
John TuomeyGUEST
6:26
I was looking at exhibition we saw at the V&A that had Balenciaga, um, costumes that-- Where Balenciaga was sort of hanging his garments from the shoulder dropped to the floor, which reminded me of, um, clerical robes that, you know, from my early days as an altar boy, [laughs] as a school boy.
Dan GelernterHOST
33:53
I will just say that this is a very striking painting.
Josh GelernterHOST
33:56
And the carpet is very Vermeer-ish.
Dan GelernterHOST
34:00
Yes, that is an excellent point.
Dan GelernterHOST
34:02
The carpet is rendered in great Vermeer style.
Dan GelernterHOST
34:05
This really is painting, I think occasionally artists who aren't really great rise to a level of greatness.
Dan GelernterHOST
34:11
So, you know, the one hit wonders as it were.

20 MINS LATER

Dan GelernterHOST
54:32
peculiar.
Dan GelernterHOST
54:33
It's possible they don't even care that much, but it would be wonderful to see.
Lauren TagliaferroHOST
11:58
... uh, throughout, like, in different portraits or different scenes.
Lauren TagliaferroHOST
12:01
And we're like, "Oh, yeah, he must have had that in his, like his retinue, basically, um, and liked to paint it because it had a good sheen or, or whatever." Um, Vermeer, I talked about Vermeer, I think, in an earlier episode, but, uh, Vermeer reused the same carpet and paintings and, like, props, basically, over and over and over again.
Lauren TagliaferroHOST
12:21
So you see the same, like, oriental rug in different contexts and the same, um- ... uh, viola in different contexts and paintings on the walls.
Lauren TagliaferroHOST
12:30
He kind of like k- keeps those, and those, those were like props that he would use.
speaker_1NARRATOR
11:57
Question 47.
speaker_1NARRATOR
11:59
Who painted Girl with a Pearl Earring? Johannes Vermeer.
speaker_1NARRATOR
12:13
Question 48.
speaker_1NARRATOR
12:14
Which composer is called the father of the symphony? Joseph Haydn.
speaker_1NARRATOR
11:57
Question 47.
speaker_1NARRATOR
11:59
Who painted Girl with a Pearl Earring? Johannes Vermeer.
speaker_1NARRATOR
12:13
Question 48.
speaker_1NARRATOR
12:14
Which composer is called the father of the symphony? Joseph Haydn.
Tim MillerHOST
3:18
And the first thing to know about both of these is that when you see them in person, they're a lot smaller, at least they were smaller than I was expecting them to be.
Tim MillerHOST
3:28
I have even more respect for what Vermeer was able to do, especially with the milkmaid and the glittering pieces of bread and the clothes of the milkmaid and her forehead and the whole scene of it, that he was able to do this in such a small space.
Tim MillerHOST
3:47
And I remember...
Tim MillerHOST
3:48
We were going there specifically to see those things, first of all, and we came up the steps and around a corner and I saw it just a little way off in a further gallery.
Tim MillerHOST
6:01
And you can just count the people and imagine their lives going back and back and back to the vanishing point.
Tim MillerHOST
6:08
And there are buildings and little scenes going on on the sides as well.
Tim MillerHOST
6:13
And so the milkmaid, the Vermeer stuff and the Rembrandts, I knew those were there.
Tim MillerHOST
6:19
Claude Lorrain and Evercamp, I wasn't expecting to see them.
Steve StocktonHOST
447:28
They did the same to a portrait of a lady and a gentleman.
Steve StocktonHOST
447:31
Then they walked over to a masterpiece by Johannes Vermeer called The Concert.
Steve StocktonHOST
447:36
There are only thirty-four Vermeers left in the whole world, friend.
Steve StocktonHOST
447:40
They sliced it out, rolling it up like a poster of some forgotten rock band.
Steve StocktonHOST
447:45
They took sketches by Degas, a landscape by Flinck, and an ancient Chinese beaker.
Steve StocktonHOST
449:49
So the thieves stole the sun, only to realize they could never let it shine.
Steve StocktonHOST
449:54
I think about those paintings sometimes when the house gets quiet.
Steve StocktonHOST
449:57
I think about Rembrandt’s furious storm and Vermeer’s beautiful, silent concert.

27 more episodes mention Johannes Vermeer.

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