Joan Miró

So the thing is we are mostly secondary art market.

Secondary understood as the big difference in the secondary and the primary market is one is emerging artists, the second group, and the secondary market is pieces that pass hands to hands, collection to collections, gallery to galleries, and has some history and mostly there are some artists who pass away as Warhol, Miro, Picasso, big names.

And the approach that we do with some emerging artists is how we consider to add the art to our collection is about the context again the context is quite important for the for the arts and also who has a dialogue with our current collection how it works with the creation of our current pieces for example we have a collaboration with William Quigley He moved to New York in the 80s.

I was in the movement with her in what was Yes yeah no that's right i'm keeping it going yes Talking about complexity in logistics.

You focus on your curation and your influences.

and so that's what your really core is because I mean my little understanding is that it's a very very competitive market and business right because there are hundreds of galleries and although I mean hundreds maybe not in one city but say for example in Spain there must be hundreds of galleries that are also in the secondary market so how do you what is your niche how are you different from x y and z

yes it's different because for example always can happen in general that x y and z have some point of touch through the industry of the Perhaps someone has Miro, someone has Picasso, someone has Guarini or Bessemer, for example, or Bansi.

But, you know, it's depending because of the context.

Um, and that definitely had a feel like Munich because, you know, we know Liam got into a fight in Munich and also the, over the radio you could hear this, uh, the, the audio from Munich.

The next one was, uh, a guy playing the Spanish guitar, and he's in a pub where, or a bar I suppose in Spain, and there's a poster in the background for Joan Miró.

He's from Barcelona, so Spanish guitar, Barcelona, it's Barcelona.

Then the next one was the, uh, like shipping containers, and you see a k- couple of guys running away, sticking up two fingers, uh, from police.

Um, and maybe also a little nod to Knebworth as well because it looks like the, the field they're in is actually Knebworth.

And then we've got a guy, um, playing clearly Spanish guitar in like a Spanish bar, and there's a poster in the background for an exhibition from, uh, Joan Miró, who is a, uh, Barcelona-based, um, artist.

Obviously he's dead now, but, yeah, he was.

And so that very much points towards Barcelona.

There's a lot of reasons I want to go there, not just Star Wars.

Do you know who Juan Miro is? Abstract artist.

I think he's dead now.

All the good ones are, am I right? Yeah, yeah.