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Jive Records

Jive Records

Search complete. 50 mentions across 30 episodes found for "Jive Records".

Oct 29, 2026

Sophia ChangGUEST
17:41
They're all West Indians.
Sophia ChangGUEST
17:42
And we came out of the Jive Records office and I said to Chip Foo, I said, oh, go get us a cab.
Sophia ChangGUEST
17:50
And he looked at me, he said, I can't get a cab, Sophia.
Sophia ChangGUEST
17:52
I said, what do you mean? He said, I'm a black man.
Unsynchronized

Unsynchronized

No Small Parts

Oct 29 · 1 Mention

Nicole RaposoHOST
45:45
Anyway...
Nicole RaposoHOST
45:46
The issue included a short blurb explaining why NSYNC couldn't break up, and what it boiled down to was that the group still owed Jive Records another three albums on their contract.
Nicole RaposoHOST
45:56
It was a very teen magazine kind of reassurance, a contractual explanation that was probably soothing to the more anxious readers.
Nicole RaposoHOST
46:06
It sort of treats the contract as if it were a safeguard against things like... interpersonal differences or creative divergence, or even a safeguard against any of the individual ambitions that different members were already showing.
Lil JonGUEST
35:43
And I would do as many beats as I can.
Lil JonGUEST
35:45
So this was for Jive Records.
Lil JonGUEST
35:47
This was Jive Records at the time.
Lil JonGUEST
35:49
And they booked me doing mystical beats.
Lil JonGUEST
35:52
So I'm doing beats for mystical.
Persis AbrahamHOST
6:30
She had a vision for Blackout.
Persis AbrahamHOST
6:33
The album's title, by the way, Jive Records said it was about blocking out negativity and embracing life fully, which, given the year she had had, definitely hits a little differently.
Persis AbrahamHOST
6:43
So let's get into how the album got made.
Persis AbrahamHOST
6:46
Britney was the executive producer.
Lil JonGUEST
19:57
Somehow Petey Pablo.
Lil JonGUEST
19:58
Well, the beats were done for Jive Records.
Lil JonGUEST
20:00
I would go in the studio and I make a bunch of beats and the label puts them on whoever they want.
Lil JonGUEST
20:04
So I didn't when Mystical didn't pick it, I thought it was dead.
Jeff SledgeGUEST
52:22
But going to Wild Pitch, I mean, to Christmas actually was my first kind of step into the arena.
Eddie O'LoughlinGUEST
52:29
But Jeff, do I remember you being at Jive Records?
DJ EclipseHOST
52:32
Yeah, that came after.
DJ EclipseHOST
52:33
We're not there yet.
Lil JonGUEST
23:15
A friend of mine gave some beats to Sean Garrett, the writer of, of yeah.
Lil JonGUEST
23:19
And then the sessions for mystical were done for jive records.
Lil JonGUEST
23:24
So jive technically had there with their beats because not their beats, but they had kind of first right to the beats.
Lil JonGUEST
23:31
So yeah, Petey is signed to Jive Records.
Lil JonGUEST
23:34
So Petey got the tracks and shout out to this guy named C.O.
Lil JonGUEST
23:41
He wrote on Freaker League too.
Dan CumminsHOST
126:36
This is Lou's fifth blimp crash that resulted in an insurance claim.
Dan CumminsHOST
126:39
The following year, in early 1995, Mercury's A&R manager, David McPherson, or McPherson, excuse me, being courted by another label, Jive Records.
Dan CumminsHOST
126:47
Oh, man, they were a fucking powerhouse at this time.
Dan CumminsHOST
126:49
Jive was the label side of a music publishing company called Zamba, founded by South African music entrepreneur Clive Calder in the 1970s.
Dan CumminsHOST
126:57
Clive, today, worth about $10 billion.
Dan CumminsHOST
127:00
Largely thanks to Jive having so many huge acts signed in the 90s, including Backstreet Boys, McPherson went over to Jive to help them round out their pop music catalog and make the label more appealing to the European market.
Dan CumminsHOST
127:11
In May of 95, Jive brought Lou and the boys, together with AJ's mom, Denise McLean, out to New York to sign a contract, one already approved by a lawyer hired by Perlman.
Dan CumminsHOST
127:21
Perlman and the lawyer added a few non-standard clauses to the record deal that would come up in court years later.
ScottHOST
2:55
But more likely that without the band to promote the song, it was deemed to likely be a flop.
ScottHOST
3:01
And so Jive Records decided not to put it out and ruin their run of consecutive five singles.
ScottHOST
3:06
Which, happy that they did that.
ScottHOST
3:08
If, you know, from that perspective.
ScottHOST
4:13
Please don't.
ShaneHOST
4:13
Please don't.
ShaneHOST
4:14
The track listing included the WIP Megamix, for which Jive Records made a video clip for that aired exclusively on MTV.
ShaneHOST
4:21
That Megamix would eventually be included on the 5678 The Collection, which was released in 2015, as well as the extended version of Gold Greatest Hits in February 2020.
Paul KatzGUEST
3:40
Um, so for me it was really important to have the control, and, you know, as my background, um, originally is, is, is in mus- music, in the music industry, and I, I... law and all that kind of stuff.
Paul KatzGUEST
3:52
It, it was part of a record company called Jive Records.
Paul KatzGUEST
3:54
Intellectual property's important.
Paul KatzGUEST
3:56
I like to own my intellectual property, whereas you don't with a, a, um, a, a traditional publisher.

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