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Jimmy Sangster

Jimmy Sangster

Welsh screenwriter and film directorWikipedia

Search complete. 35 mentions across 11 episodes found for "Jimmy Sangster".

Nov 4, 2026

Philip Gwynne JonesHOST
12:02
It's our second visit to the Kahnstein family, the second part of the Kahnstein trilogy.
Philip Gwynne JonesHOST
12:08
And my first question to you is going to be, we love Jimmy Sangster, but should he ever be allowed to direct? Kev.
Cev MooreHOST
12:21
Oh, no pressure then.
Cev MooreHOST
12:23
Kev.
Cev MooreHOST
16:25
And it's only because Helen got completely ill. Peter Cushing was there up until like a couple of weeks before it started and then went, no, I've got to pull away.
Cev MooreHOST
16:37
So Ralph Bates comes in at very much the 11th hour and To save it, he's drafted in to try and rescue this.
Cev MooreHOST
16:46
And it's only because he's a good friend of Jimmy Sangster that he's basically...
Cev MooreHOST
16:50
Sangster's gone, Ralph, help us out, mate.
LexiHOST
38:17
And the last little bit of trivia I wrote down.
LexiHOST
38:20
is that screenwriter Jimmy Sangster threw out his original copy of Dracula, thinking it was of little value, much to his later regret.
LoriHOST
38:30
Well, you know, I was just thinking, after we had talked about that money, which one of those people we've talked about would think that a movie that they made in 1958 would be on your television in 2026.
LoriHOST
38:50
You know, this is...
LexiHOST
41:37
Right.
LoriHOST
41:39
So.
LoriHOST
41:40
Well, and this Dracula is a pure creation of this writer, Jimmy Sangster.
LoriHOST
41:48
He did not want Harker to be his, you know, this.
Dan ColónHOST
71:16
He's referring to Dracula, Prince of Darkness, by the way.
Dan ColónHOST
71:19
Here's two reasons why Jimmy Sangster used a pseudonym.
Dan ColónHOST
71:22
He was trying to distance himself from gothic horror as he was fed up with the genre and he didn't like the completed shooting script.
Dan ColónHOST
71:30
The vast majority of material I've read and watched over the years from the various Hammer Scholars side with Sangster on the matter as to why Dracula has no lines.
Riley SchreckHOST
1:54
Yay! For the Arizona Solution, maybe it would be easier to say who isn't in it.
Riley SchreckHOST
2:00
Outside of the Doctors and Nicola Bryant, we have Alan Cumming, who played King James in The Witchfinders, and Michael Wisher, who was in 10 Doctor Who serials.
Riley SchreckHOST
2:10
And of course, the writer of the film, Nicholas Briggs, who is well in so many Who serials, and he's also an executive producer of Big Finish.
Anthony WilliamsHOST
2:19
Riley, I'd also like to shout out Gary Russell as the detective, who was also a former Big Finish executive producer.
Riley SchreckHOST
2:32
This is a Hammer film from 1956 that was an example of early Hammer which focused on sci-fi instead of gothic horror.
Riley SchreckHOST
2:39
Directed by Leslie Norman and written by the Hammer main script writer...
Riley SchreckHOST
2:42
The King, Jimmy Sangster.
Riley SchreckHOST
2:44
This film would be Sangster's first film.
David HeathHOST
20:38
Uh, I said, again, it's directed by Terrence Fisher.
David HeathHOST
20:43
Um, And I think it's a really well acted film, really well written film by a man named James Sangster.
David HeathHOST
20:58
Who also wrote The Curse of Frankenstein and Dracula in 1958.
David HeathHOST
21:05
Also a great film.
Kevin LyonsHOST
14:01
When you look at...
Kevin LyonsHOST
14:03
You know, you look at Lust for a Vampire, which was directed by Jimmy Sangster, sort of stepping in at the last minute.
Kevin LyonsHOST
14:09
You kind of feel almost like a bit of a reluctance on his part.
Kevin LyonsHOST
14:12
He doesn't seem very engaged with the film.

10 MINS LATER

Kevin LyonsHOST
23:46
He had everything at his fingertips.
Kevin LyonsHOST
23:47
And he was a supremely talented director, his later films notwithstanding.
Kevin LyonsHOST
23:54
And it felt to me like he was much more engaged with the subject that Jimmy Sangster had been with Lust for a Vampire.
Becky DarkeHOST
24:01
Absolutely.
ClayHOST
9:41
Okay.
ClayHOST
9:42
The Curse of Frankenstein from 1957, directed by Terrence Fisher, written by Jimmy Sangster, based on the classic novel by Mary Shelley.
ClayHOST
9:53
Does it matter when she's referred to as Mary Shelley or Mary Wollstonecraft Shelley?
AmandaHOST
10:04
Does it matter?
Dave WatkinsGUEST
26:42
Yeah.
Thomas TinnerelloGUEST
26:42
It definitely wasn't written by Jimmy Sangster, that's for sure.
Dave WatkinsGUEST
26:44
[laughs] But it's, the, yeah, the writings in both of them are very bizarre.
Dave WatkinsGUEST
26:50
I me- it almost seemed like they were just trying to throw, like, like, throw, throw in, like, just throw stuff into, into the movie a lot of times.
Becky DarkeHOST
3:56
Um, and so-
Kevin LyonsHOST
3:57
And of course it's in the, um, Severin Jimmy Sangster box set, which I can highly recommend.
Kevin LyonsHOST
4:00
Even though the films aren't very good, the, the extras are.
Kevin LyonsHOST
4:03
I'm not saying that because we're on the extras-
Kevin LyonsHOST
8:53
But he suffered a very serious leg injury in a car accident and had to withdraw.
Becky DarkeHOST
8:58
Oh, God.
Kevin LyonsHOST
8:59
And Jimmy Sangster was at, um, Elstree finishing up The Horror of Frankenstein at the time.
Becky DarkeHOST
9:04
Mm-hmm.
Cev MooreHOST
2:15
Well, during that time, he'd written a screenplay simply titled Frankenstein, and then for a brief period, it was The Horrors of Frankenstein.
Cev MooreHOST
2:23
He penned nearly as many screenplays as acting jobs, and this one sat in the vault for a while until Jimmy Sangster got hold of it and knocked it into shape.
Cev MooreHOST
2:32
After all, he'd got form when it came to Frankenstein.
Cev MooreHOST
2:36
He was signed up to produce on the understanding that he'd be allowed to make his directorial debut, meaning he was spinning all the plates throughout the six weeks he spent making it, and this time we're going back to Victor's origin story, and the big bad Baron is played by Ralph Bates.

8 MINS LATER

Philip Gwynne JonesHOST
11:00
We'll never know quite how she might have developed as an actress because even at this early stage of her career, Hammer Films and Veronica Carlson were on different tracks.
Philip Gwynne JonesHOST
11:11
1970's Horror of Frankenstein would prove to be her last for the company, as it was for Kate O'Meara.
Philip Gwynne JonesHOST
11:18
Veronica described director Jimmy Sangster as a lovely and funny man, but disliked the jokey tone of the film.
Philip Gwynne JonesHOST
11:25
She was at heart a bit of a fangirl, and she liked her horror to be serious.

1 more episode mentions Jimmy Sangster.

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