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Jessica Brody

Jessica Brody

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Search complete. 26 mentions across 5 episodes found for "Jessica Brody".

Oct 20, 2026

Brook PetersonHOST
2:52
And I think it comes back exactly to what you mentioned right off the top is because this is the genre where you want that fair play with the reader.
Sarah M. StephenHOST
3:03
Yeah, and, and I think there's a couple of things, and, you know, I'm, I'm thinking about the conversation that we recently had with Jessica Brody, where she talked about structure, and there are some rules around structure or expectations that you have to meet to make it a satisfying mystery.
Sarah M. StephenHOST
3:21
And I think that's true, like you say, for any genre, right? In, in horror, uh, in romance, uh, um, mystery, science fiction, all of those.
Sarah M. StephenHOST
3:31
There are, there are conventions that are associated with those genres that if you stray too far from those, readers who are very familiar with those conventions are not going to like your book.

14 MINS LATER

Brook PetersonHOST
17:45
Mm-hmm.
Brook PetersonHOST
17:45
Definitely.
Brook PetersonHOST
17:47
And once again, I'm thinking of something that Jessica Brody said to us that, because we know that the members of this club did break the rules, and I don't think many of their sales continually diminished.
Brook PetersonHOST
18:00
But Jessica mentioned, and I think it was really smart, that if you're going to break a rule, that there needs to be a purpose for it and a reason for it, and do it in a very intentional way.
Erin DionneGUEST
22:02
I really have to understand the character's world before I begin.
Erin DionneGUEST
22:06
And when I feel like I have a really good handle on who these people are that the book is about, I'll do a beat sheet, kind of like what Jessica Brody was talking about on your show earlier in, in August.
Erin DionneGUEST
22:22
I'll do a beat sheet to kind of get some general ideas of plot points, and then I'm ready to write, and that's where the bad choices come in.
Erin DionneGUEST
22:31
So if you think about a character and they get to a crossroads in a story, lots of times the first thing that we think about are an easy choice and a hard choice.
Mer LaffertyHOST
14:36
I can't really do that off the top of my head and try to write a book next month.
Mer LaffertyHOST
14:42
So when you're outlining for the Lonesome October Club, I'm still working on the Jessica Brody page one to done project or method, I should say.
Mer LaffertyHOST
14:53
I believe she starts with the character.
Mer LaffertyHOST
14:56
What do they want? What's in their way? And sort of like the snowflake method, do the whole yes and thing of, okay, well, this boy is wealthy.
Brianna LabuskesHOST
71:36
Okay.
Brianna LabuskesHOST
71:37
So I am going to rec how to write a murder by Jessica Brody.
Brianna LabuskesHOST
71:42
Okay.
Brianna LabuskesHOST
71:43
Sorry, my eyes just blurred for a second.
Jessica MaryHOST
0:50
It's time to get Booked All Night.
Jessica MaryHOST
0:53
I'm Jessica Mary, and today I'm joined by Libby Tanner, author of Better Than Gelato and Bigger Than Versace.
Jessica MaryHOST
0:58
Welcome to
Libby TannerGUEST
0:58
the pod,
Jessica MaryHOST
0:59
Libby.
Libby TannerGUEST
1:00
Thank you so much, Jessica.
Libby TannerGUEST
1:01
I am delighted to be here.
Jessica MaryHOST
1:03
I'm so excited to have you here.

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