What was one of the toughest situations you had down there?

So one of the toughest ones, it was towards the end of filming the first Casamar and I knew I needed some type of tarpon jump that was gonna be prolific.

And I was like, I have to get this type of shot.

So me, Mark and Micah, who worked in the guiding business with me, we went out there and Mark's like, he just turned 60.

Micah is a little younger than me.

Mark owns an outdoor store in San Jose.

So we're all like just this tight knit group.

So how do we, how can you Do you have any advice on how to do that to creators, for creators? Because I think you naturally do that, but it's hard to explain to people how to do that.

How would you describe your filming style? Because I, I think it's quite different.

Yeah, I mean, y- well, you just did a film with me and Koji, and, and obviously you saw me running around in the jungle.

You know, like, I love...

The Amazon experience we had was unique because, you know, I'm shirtless, I'm barefoot for the whole time, and, like, that's my element, for real.

Um, I've always been drawn to, like, those types of adventures and just, like, going about it that way.

I, I'd say I describe my shooting style as, like, a Wild West shooting style 'cause I just taught myself all that stuff, all the stuff on YouTube and just beat my head against it.

Koji has a completely different, you know, technical background and, and cinematography background than me, and that's why I think we vibe so well.

What advice would you give to other videographers or creators or, um, I guess anybody really who wants to tell a story? What, what kind of advice would you give them to help them prepare in advance so that they're not rushing the ending and having it kind of fall on its face?