Jenny Holzer

You know, the opening, whichever plan they happen, the dinners happened.

You know, I talked to Ivan Worth and he said that you know, and Saturday luckily was one day where they didn't have anything planned and he just went, he happened to have been on the right bank of Seine and watching, you know, Jenny Holzer at night installation, the light installation on Musée d'Orsay.

And, and he said, all of a sudden there was this mob behind us and it got like scary and they got out of there and they went home.

But, That was kind of the extent of it.

conservation guides for people like the Getty, where they're doing training, the Getty Conservation Institute's audio tours.

We've done grand, you know, productions, planetarium shows where we're translating, you know, Oscar winner Lupita Nyong'o for the American Museum of Natural History into five languages and recording apps, the Getty Guide, AMNH's Explorer, Bloomberg Connects, Artist projects, we've assisted Jenny Holzer and David Lamelas and Yoko Ono.

Artist archives, many artist archives.

Yeah, workplace training for people who like to learn in their first language.

I mean, this character is an incredibly dangerous character.

And I mean, you know, Jenny Holzer, Barbara Kruger, a beast of power comes as no surprise.

You know, when you are ultimately powerful like this, it's a very dangerous line that you're walking.

And Summer plays this really well.

three years ago for $220,000.

And we sold a wonderful collaborative painting of Jenny Holzer and the graffiti artist Lady Pink for $450,000.

And Jenny Holzer obviously has a wonderful exhibition at the Musée d'Orsay in Paris that opened this week.

And that is wonderful to see.

Some galleries were reporting 20 sales on the first day.

It's such a scary thing to want it too much.

I'm looking up because above my desk, you know, because I'm such a failed writer, there is a Jenny Holzer sticker that I got at the Guggenheim at her exhibition that says, protect me from what I want.

I think that Flo Vertz wants it too much.

And that we football fans or Liverpool fans specifically, partly because every time he touches the ball, it is so beautiful and special that you feel like surely there will be a result to it.

And thinking about the ways in which artists have used text in public space.

Jenny Holzer's another artist, you know.

Yeah, that allowed them to kind of explore, and we tested phrases, looking at advertising.

So the work has kinda come about through this kind of, um, a kind of mapping and surveying of this territory.