Jay Sandrich

Got a seven point two out of ten out of a hundred and ninety reviews on IMDb.

Director Jay Sandrich.

Writers Patricia Nardo, Gloria Banta, and Lorenzo Music.

Guest-- No guest stars, so I guess we're not even gonna meet Mary's date.

And, um, I was watching the shows being made, and you can't help but watch the directors.

And you watch these great comedy directors, Jay Sandrich and Alan Rafkin, these guys that have been around for a long time, work with actors.

And, and when you're doing multi-camera shows, i- it's, it's, it's, you know, it's a laugh fest.

I mean, the whole idea is to keep it light-

It was...

I'm not sure who exactly it was.

It was es- either Jim Brooks or Jay Sandrich had the idea of she could come back and turn out the light.

Mm-hmm.

It's going to make for a funny episode, kind of, sort of.

Director, Jay Sandrich.

Writers, Susan Silver and Lorenzo.

Music, no guest stars this week, just our regular cast and recurring cast.

he was really good i spent time with

him too ted he he liked it to be a little dirty he didn't mind it he didn't he was the first person who didn't need it to be a perfect shot every time he you know he understood that actually he learned that from jay sandrich in a certain way but jay did jay liked it to be a perfect you know he knew what he wanted it to look like what he would let it be rough the camera could still be moving a little to get to the

yes it creates energy for the eye to see the image and one of the things i learned from him is that other people would cut above the elbows and Burrows would cut below the elbows because that movement gave the visual energy.

It's interesting about him because, you know, prior to that, four camera shows, whether it was tape or film, were pretty much block and shoot.

Today is January ninth, twenty twenty-six.

Directed by Jay Sandrich.

Writers Susan Silver and Lorenzo Music.

And as I read that to you, I realize I have not been doing that on every episode, at least not the ones I recorded yesterday.