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Janice Long

Janice Long

British radio broadcasterWikipedia

Search complete. 22 mentions across 13 episodes found for "Janice Long".

Oct 30, 2026

Weldon Gardner-HunterHOST
67:07
So even though I never heard this band.
Weldon Gardner-HunterHOST
67:09
at the time that they were around because they were too obscure and you wouldn't be able to get their records in alberta at the time in the 80s it's the kind of band i was listening to at this time period so this band is from scotland this is their version it's from a radio session not a john peel session but a janice long session from july 1st 1987 this is the fizz bombs and they called the song the neil diamond one so let's listen to it
speaker_3SOUNDBITE_SPEAKER
67:56
Tonight, yeah
Weldon Gardner-HunterHOST
70:24
just that little tiny peel of feedback at the end there.
Weldon Gardner-HunterHOST
70:27
So that's the Fizzbombs from 87 and only released, I think, fairly recently in the last decade or so, this Janice Long session.
Weldon Gardner-HunterHOST
70:35
The Fizzbombs were from Edinburgh, Katie McCullers on vocal, Margarita Vazquez-Ponte on guitar and backing vocals, Anne Donald on bass, and Angus McPake on drums.
Weldon Gardner-HunterHOST
70:47
I just read the book.
Weldon Gardner-HunterHOST
73:33
And of course, we'll talk about the version.
speaker_3UNKNOWN
64:01
I can't say it's true The next.
Rob WalkerHOST
67:31
Following Fever Claw by Primal Scream, the first of the two tracks I have from you from the 1986 Janice Long session by them, you heard M by The Cure, a non-single track taken from their 1980 album 17 Seconds, which was requested by Dennis in Coventry.
Rob WalkerHOST
67:50
Our next request is for William Barlow, who has asked to hear Galapagos, a non-single track taken from the Smashing Pumpkins, Melancholy and the Infinite Sadness album.
speaker_3UNKNOWN
68:35
pretend we're still a child softly stolen under blanket skies and rescue me from And all that I believe I won't deny the pain I won't deny the change Should I fall from grace

42 MINS LATER

speaker_3UNKNOWN
111:21
Like a soul of the water's deep Here she comes again I don't need anyone to help me.
speaker_3UNKNOWN
112:32
Or not anyone at all Because my circle friends have left me And now I don't care at all Leave me alone Leave me alone Oh, she likes everyone And now she's been done And she's not anyone of separation of all that's meant for us in the dreams the lost that's hidden inside the world was there tonight I'll take care of her Leave me
Rob WalkerHOST
114:04
The second track from our 1986 Janice Long session by Primal Scream, Velocity Girl.
Rob WalkerHOST
114:10
The studio recording the track brought Primal Scream to the attention of indie types when it was featured on the NME C86 cassette and that version remains my favourite Primal Scream track to date.
Gregor GallGUEST
46:50
How much do they promote their album? How much, you know, back in the day, you'd have things called radio pluggers, people who would go around to try to convince a radio station to get a certain single on the playlist.
Gregor GallGUEST
47:03
There was people like John Peel and David Kidd Jensen and Janice Long, but they were like night-time, late-time music.
Gregor GallGUEST
47:11
You wanted to get on the daytime stuff, the sort of Simon Bates or God knows what else on Radio 1.
Gregor GallGUEST
47:17
So if record companies are not going to put the resources into getting their artists onto the kind of major airwaves, whatever those airwaves now are, then the bands, they just won't get a hearing in the way that they need to.
David EastaughHOST
10:06
So there was a lot of unemployment.
David EastaughHOST
10:07
unemployment benefit was quite easy to access and to be on so I think a lot of people went you know what let's just be very poor but we'll be in a band and we're able to sort of just survive on a meagre substance but but there was a sort of network of venues there was like a job the John Peel show and Janice Long shows and then you had like every city and town would have an a venue of a certain alternative indie night that people would be able to access so if you've got your transit van you could get around the country and just have five most bands i felt have a five-year narrative you know 12-month honeymoon period of being in the band as you sort of yeah mentioned a bit earlier then the single the album the tour there's still the tricky second album and by the third album the tensions have just overflowed with um too many too much resentment and it all explodes you
Kathryn PepperGUEST
11:04
know you've got management companies that are trying to you know get your art to be a certain way um we were never in that world because we stayed very much in the independent sort of realm of music but i can imagine if you were one of those 90s bands that kind of yeah there was there was still money in music then
David EastaughHOST
11:25
Yes.
ReggiePANELIST
25:44
Did she narrate for the radio? It
GracePANELIST
25:47
was a spoken word session in 2011 with Janice Long, but the clip is not available.
GracePANELIST
25:55
Well, it's not available in the US.
GracePANELIST
25:56
I don't know if it's available elsewhere.
Jon RichardsonHOST
5:50
Bob Harris is in our corner.
Jon RichardsonHOST
5:52
Is Janice Long in our corner?
Mark OlverGUEST
5:53
janice is in our corner absolutely janice is in our corner uh stuart mcconing mark radcliffe they're in our corner
Jon RichardsonHOST
6:00
mcconing radcliffe can be in our corner yeah it's quite a big corner this i can't help but feel we're probably spreading into the middle of the room now
Clive JacksonGUEST
51:24
I said, oh, I make it 56, by the way.
Clive JacksonGUEST
51:26
And it was Janice Long who'd always quite championed and said, of course, we've left off Clive.
Clive JacksonGUEST
51:31
So we snuck into this project on the shirt tails of it, just put our foot in the doors.
Clive JacksonGUEST
51:37
It was about to slam.
David EastaughHOST
56:14
...
David EastaughHOST
56:14
the John Peel sessions and Janice Long sessions and-
Stan GreenwoodGUEST
56:16
Yeah
David EastaughHOST
56:16
... and live at, um, Folkstone.
Stan GreenwoodGUEST
56:31
It's bizarre really because we could find all of them, but I think there's five sessions there.
Stan GreenwoodGUEST
56:35
We actually did six.
Stan GreenwoodGUEST
56:36
We did another one with Katrina for Janice Long, but for some reason they couldn't find that session.
Stan GreenwoodGUEST
56:41
But Roger did get a, a tape of it about two year ago, but it, it went in, Paul Weller split it up on his laptop, and he never got...
Tony HadleyGUEST
19:08
And I, I thought they were just awesome.
Tony HadleyGUEST
19:10
Two bands on that day, Status Quo, Queen, 'cause I was on the side of the stage watching Quo when they went on Rockin' All Over the World with Janis Long and the Queen boys.
Tony HadleyGUEST
19:18
Yeah.
Tony HadleyGUEST
19:18
Ama- incredible.
Andy WhiteHOST
2:00
Your favourite records, when the artists have finished making them, the actual master tapes are owned by the people who paid for them, which are the record companies.
Andy WhiteHOST
2:08
So they sit and languish or are treated with due respect by the companies and hopefully stored forever in some basement, though in fact the thing that i would rather get back is not the actual master tapes but sometimes we ran cassettes in the studio of mixing so i remember rod and i had a tape of just the bass and drums of the soldier sash playing over and over again which sounded really cool so the things like that in my head which would be really nice to have vision of you funny enough was remixed by the record company, who, after Janice Long said this was the best bedroom song that has ever been written since Pale Blue Eyes, something like that.
Andy WhiteHOST
2:51
I remember it because they put it on a poster.
Andy WhiteHOST
2:53
After that, the record company woke up when, well, they listened to track two and thought, OK, let's get somebody in a studio in London to remix this record for the 1980s.

11 MINS LATER

Andy WhiteHOST
14:03
So from the first verse to the second verse is different.
Andy WhiteHOST
14:07
Everything changes, but then nothing changes.
Andy WhiteHOST
14:12
and the chorus is start off on the rooftop so it says 3am on the rooftop and then the next chorus is 4am in the hallway and then the last chorus is 6am in the basement so it works its way down to the basement from the rooftop and it keeps changing place and the ceilings fall and the carpets bloom so things are changing and it's kind of surreal dreamy and it's not drug induced it's just a poetic imagination maybe i was reading french ports at the time but yeah everything around the singer is affecting everything else and that is vision of you and since it has become a record the record is dedicated to janice long because Not only did she play every night on the radio, but it was just her song, her and Paul, her partner.
Andy WhiteHOST
15:09
It's also for Gianni, my Italian friend.

3 more episodes mention Janice Long.

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