
James Dunne
Television producer
1
APPEARANCES
1
PODCASTS
012
DEC 30
JAN 6
JAN 13
JAN 20
JAN 27
FEB 3
FEB 10
FEB 17
FEB 24
MAR 3
MAR 10
MAR 17
MAR 24
MAR 31
APR 7
APR 14
APR 21
APR 28
MAY 5
MAY 12
MAY 19
MAY 26
JUN 2
JUN 9
JUN 16
JUN 23
JUN 30
JUL 7
JUL 14
JUL 21
JUL 28
AUG 4
AUG 11
AUG 18
AUG 25
SEP 1
SEP 8
SEP 15
SEP 22
SEP 29
OCT 6
OCT 13
OCT 20
OCT 27
NOV 3
NOV 10
NOV 17
NOV 24
DEC 1
DEC 8
DEC 15
DEC 22
DEC 29
JAN 5
JAN 12
JAN 19
JAN 26
FEB 2
FEB 9
FEB 16
FEB 23
MAR 2
MAR 9
MAR 16
MAR 23
MAR 30
APR 6
APR 13
APR 20
APR 27
MAY 4
MAY 11
MAY 18
MAY 25
JUN 1
JUN 8
JUN 15
JUN 22
JUN 29
JUL 6
JUL 13
JUL 20
JUL 27
AUG 3
AUG 10
AUG 17
AUG 24
AUG 31
SEP 7
SEP 14
SEP 21
Aug 20, 2026
84: Sharon Mooney and James Dunne, Co-founders of Hyphen Strategy
2:26
2:37
2:51
3:01
3:13

James DunneGUEST
The, the- it was, it was interesting just before we obviously went live, we were talking about the madness of entrepreneurs and the fact that you have to have, take a sort of leap in the dark.

James DunneGUEST
And one of the quotes that has stuck with me since we founded, and the origin story is that Sharon basically took me out to, uh, a Christmas lunch, and, um, the lunch went the way it went, and at the end of it, we'd started a business.

James DunneGUEST
But the reality of it was that the business you start and the business you end up with at this juncture, about four and a half years in, are radically, radically different.

James DunneGUEST
Um, so it really feels like we're only starting to get into our stride after four and a half years and really have done some work on defining what we're about.

James DunneGUEST
You know, at the end of the day, it's about helping organizations tell their story in the most compelling way to the people that need to hear their story, that they need to hear the story, and that, you know, our background, both from an advertising perspective, but also in sort of spaces like public affairs and, uh, corporate PR, a- and digital, um, has equipped us with a kind of a unique set of understanding of channels and understanding of, I guess, platforms that allows us to tell stories kind of agnostically.

