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Invisible Nation
2023 filmWikipedia
4
MENTIONS
4
EPISODES
4
PODCASTS
Search complete. 4 mentions across 4 episodes found for "Invisible Nation".
Aug 30, 2026
Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026)
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22:21Corrado NeriGUEST
So all these are, uh, figures of ghost Taiwan, um, that i- in different time of story.
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22:31Corrado NeriGUEST
But extremely interesting is that, as it is, uh, largely described both by, uh, Wu Jia-rong and, uh, Chris Horton in 2025 book, but also if you think about, uh, Vanessa Hope documentary, Invisible Nation, which she was invisible, not ghost, as a form of reappropriation.
C
22:50Corrado NeriGUEST
As many other negative, uh, words, uh, the individual can appropriate the negative words and then play it both playfully and as a form of resistance, saying, "Yes, we are ghost.
C
23:05Corrado NeriGUEST
Let me show you how, uh, my ghostly identity can be productive, can be resistant, can be plural, can be changing." So, uh, this idea of ghost is all, as, um, also have been, um, uh, a form of, uh, richness and reappropriation.
Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026)
C
21:58Corrado NeriGUEST
Taiwan in different time of story.
C
22:04Corrado NeriGUEST
But extremely interesting is that as it is largely described both by Wu Jiarong and Chris Harton in 2025 book but also if you think about Vanessa Hope documentary Invisible Nation which she was invisible not ghost as a form of reappropriation as many other negative words, the individual can appropriate the negative words and then play it both faithfully and as a form of resistance, saying, yes, we are ghosts.
C
22:38Corrado NeriGUEST
Let me show you how my ghostly identity can be productive, can be resistant, can be plural, can be changing.
C
22:46Corrado NeriGUEST
So this idea of ghosts also have been a form of richness and reappropriation.
Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026)
C
21:53Corrado NeriGUEST
Taiwan in different time of story.
C
21:58Corrado NeriGUEST
But extremely interesting is that, as it is largely described both by Wu Jiarong and Chris Harton in 2025 book, but also if you think about Vanessa Hope documentary Invisible Nation, which she was invisible, not ghost, as a form of reappropriation, as many other negative words, the individual can appropriate the negative words and then play it both faithfully and as a form of resistance, saying, yes, we are ghosts.
C
22:33Corrado NeriGUEST
Let me show you how my ghostly identity can be productive, can be resistant, can be plural, can be changing.
C
22:41Corrado NeriGUEST
So this idea of ghosts also have been a form of richness and reappropriation.
Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026)
C
21:58Corrado NeriGUEST
Taiwan in different time of story.
C
22:03Corrado NeriGUEST
But extremely interesting is that as it is largely described both by Wu Jiarong and Chris Harton in 2025 book but also if you think about Vanessa Hope documentary Invisible Nation which she was invisible not ghost as a form of reappropriation as many other negative words, the individual can appropriate the negative words and then play it both faithfully and as a form of resistance, saying, yes, we are ghosts.
C
22:37Corrado NeriGUEST
Let me show you how my ghostly identity can be productive, can be resistant, can be plural, can be changing.
C
22:45Corrado NeriGUEST
So this idea of ghosts also have been a form of richness and reappropriation.