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Search complete. 81 mentions across 54 episodes found for "IndieWire".

Sep 14, 2026

Cameron ChapmanHOST
1:57
This is, of course, the podcast dedicated to determining the top 100 Westerns of all time.
Cameron ChapmanHOST
2:03
Uh, we're using as our guide the list that IndieWire put out in 2024, and from there we're adding, subtracting, forming a new list, forming our opinions, getting our favorites in there.
Cameron ChapmanHOST
2:16
And, uh, and then, yeah, we're gonna come up with a new list.
Cameron ChapmanHOST
2:19
So thank you for joining us on this little, uh, journey through the American West.
Cameron ChapmanHOST
4:21
So we, we've had a lot of movies right in that 15 out of 20.
Cameron ChapmanHOST
4:25
So it's sorta, tie breaks aside, could maybe be in a couple other positions, but have it at 12th.
Cameron ChapmanHOST
4:31
Uh, what do you guys think? Like, it's 85th on IndieWire's list.
Cameron ChapmanHOST
4:36
Do you think it's gonna move up from that?
Chris O'FaltHOST
0:06
Hi, and welcome to the Filmmaker Toolkit Podcast.
Chris O'FaltHOST
0:08
I'm Chris O'Fault of IndieWire, and my guest today is director Na Hong-Jin talking about his new film, which was 10 years in the making, Hope.
Chris O'FaltHOST
0:18
Hope is a South Korean film that got a rise out of the Cannes audience like few films ever have before, and that now Neon is putting into 1,500 screens this weekend in the United States.
Chris O'FaltHOST
0:31
And I don't really know how to describe Hope.
Chris O'FaltHOST
1:06
In terms of scale and scope, it is the biggest film in South Korean history.
Chris O'FaltHOST
1:10
It's the most expensive film and it transformed this kind of formative national cinema to accommodate some of the things that The director here is trying to do and love it or hate it.
Chris O'FaltHOST
1:21
And I know people I respect many here at IndieWire who are on both sides of that fence.
Chris O'FaltHOST
1:26
It's hard to not see Na Hong-jin as some kind of mad genius who demands your attention.
Anne ThompsonHOST
0:06
Welcome to Screen Talk, IndieWire's weekly podcast that brings you up to speed on what's going on in Hollywood.
Anne ThompsonHOST
0:12
I'm Anne Thompson in Los Angeles.
Ryan LattanzioHOST
0:14
And I'm Ryan Lattanzio back in New York.
ChadHOST
22:12
So we'll give our rating as soon as we hear some reviews from the critics.
ChadHOST
22:17
Wilson Chapman of IndieWire says, "The action has a satisfying crunch, thinks in part due to Wingard's delight in dousing his actors in buckets of fake blood." David Sims of The Atlantic says, "The film feels needlessly complex.
ChadHOST
22:36
Rather than just delivering on its clean setup, it becomes fixated on teasing future installments, a symptom of the obsession with sequelization that's affecting even small genre films." Katie Walsh of Tribune News says, "Like its big baddies, the bruising onslaught is lacking one major element: a brain." And Richard Whittaker of Austin Chronicle says, "Luckily, unlike most directors who try to ape the '80s through neon pastel color palettes, Wingard goes for the old-school gonzo action jugular, revving everything up with Matthew Pustey's martial metal score." It has a Rotten Tomato score of 57%, an audience score of 62%, an IMDb score of 6.2 out of 10, and a Metacritic score of 57.
ChadHOST
23:34
But here at "The Broken VCR," we have a six-tier rating system.
FrederikHOST
58:19
cruise sandwich.
BenedictHOST
58:22
sorry the dream um i've just noted here you know again it's pre-recorded so not up to date canoes but we have a little uh just the one i noted down okay whenever i see cruz's name pop up in the headlines i just like to take note uh this is from indiewire adam scott confirms tom cruise's influence on severance running scene
FrederikHOST
58:42
oh
BenedictHOST
58:42
and now this is actually a different thing from what i thought this was i think i saw something where adam scott was saying he gets confused for tom cruise or something He gets confused for Tom Cruise.
Amy NicholsonHOST
59:33
Then we are doing the Angelina Jolie movie Salt with Ira Madison, a wit extraordinaire.
Amy NicholsonHOST
59:39
And lastly, we are closing out with Hereditary, uh, and I'm gonna be doing that episode with IndieWire critic David Ehrlich, who's also writing a book on A24.
Amy NicholsonHOST
59:48
He is A24.
Amy NicholsonHOST
59:51
I hope you're jealous, Paul, 'cause this is gonna be a really fun month.
Alex WardHOST
33:20
I just forgot I had this tab open.
Alex WardHOST
33:23
There was a review of Season 2 on IndieWire about... about some of the possibilities that the show could go in and what might make it interesting when you compare it to the office.
Alex WardHOST
33:35
The article is largely kind of gave the show a C because they did drop the whole season at once.
Alex WardHOST
33:40
So I think the writer,
Gilbert KHOST
7:32
Early reviews have also treated it as more than a simple parody.
Gilbert KHOST
7:36
IndieWire praised it as a major midnight movie, while Variety described its connection to familiar children's TV.
Gilbert KHOST
7:43
That doesn't guarantee everyone will love it, but it suggests the movie has more going on than its wild premise.
Gilbert KHOST
7:50
Let's talk about the cast.
JD DuranHOST
58:09
So The Village is my number four here.
Megan KearnsHOST
58:11
Yeah, I think The Village totally makes sense, especially because I saw it on IndieWire's list of best monster movies.
Megan KearnsHOST
58:17
[laughs] So you are definitely not alone.
JD DuranHOST
58:19
Okay.
Frank SantopadreHOST
48:24
it's got a different reputation
Judd ApatowGUEST
48:25
yeah it's it's considered this weird almost prophetic And I was reading this very long article in IndieWire, which was an oral history of the movie.
Judd ApatowGUEST
48:38
And what seems to have made it hold up was that when we were writing it, I was very aware of what was happening in technology.
Judd ApatowGUEST
48:50
that this was a moment where we were about to combine our phone, computer, music, video games, television, movies, and it hadn't happened yet.

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