IndieWire
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PODCASTS
Search complete. 81 mentions across 54 episodes found for "IndieWire".
Sep 14, 2026
Horses on Film - E022 - The Misfits (1961)
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1:57Cameron ChapmanHOST
This is, of course, the podcast dedicated to determining the top 100 Westerns of all time.
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2:03Cameron ChapmanHOST
Uh, we're using as our guide the list that IndieWire put out in 2024, and from there we're adding, subtracting, forming a new list, forming our opinions, getting our favorites in there.
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2:16Cameron ChapmanHOST
And, uh, and then, yeah, we're gonna come up with a new list.
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2:19Cameron ChapmanHOST
So thank you for joining us on this little, uh, journey through the American West.
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4:21Cameron ChapmanHOST
So we, we've had a lot of movies right in that 15 out of 20.
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4:25Cameron ChapmanHOST
So it's sorta, tie breaks aside, could maybe be in a couple other positions, but have it at 12th.
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4:31Cameron ChapmanHOST
Uh, what do you guys think? Like, it's 85th on IndieWire's list.
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4:36Cameron ChapmanHOST
Do you think it's gonna move up from that?
'Hope' Director Na Hong-jin
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0:06Chris O'FaltHOST
Hi, and welcome to the Filmmaker Toolkit Podcast.
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0:08Chris O'FaltHOST
I'm Chris O'Fault of IndieWire, and my guest today is director Na Hong-Jin talking about his new film, which was 10 years in the making, Hope.
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0:18Chris O'FaltHOST
Hope is a South Korean film that got a rise out of the Cannes audience like few films ever have before, and that now Neon is putting into 1,500 screens this weekend in the United States.
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0:31Chris O'FaltHOST
And I don't really know how to describe Hope.
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1:06Chris O'FaltHOST
In terms of scale and scope, it is the biggest film in South Korean history.
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1:10Chris O'FaltHOST
It's the most expensive film and it transformed this kind of formative national cinema to accommodate some of the things that The director here is trying to do and love it or hate it.
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1:21Chris O'FaltHOST
And I know people I respect many here at IndieWire who are on both sides of that fence.
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1:26Chris O'FaltHOST
It's hard to not see Na Hong-jin as some kind of mad genius who demands your attention.
Telluride & Venice Winners and Losers: 'Primetime,' 'Wild Horse Nine,' 'Bunker,' 'Possible Love,' & More
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0:06Anne ThompsonHOST
Welcome to Screen Talk, IndieWire's weekly podcast that brings you up to speed on what's going on in Hollywood.
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0:12Anne ThompsonHOST
I'm Anne Thompson in Los Angeles.
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0:14Ryan LattanzioHOST
And I'm Ryan Lattanzio back in New York.
#286 Onslaught (2026)
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22:12ChadHOST
So we'll give our rating as soon as we hear some reviews from the critics.
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22:17ChadHOST
Wilson Chapman of IndieWire says, "The action has a satisfying crunch, thinks in part due to Wingard's delight in dousing his actors in buckets of fake blood." David Sims of The Atlantic says, "The film feels needlessly complex.
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22:36ChadHOST
Rather than just delivering on its clean setup, it becomes fixated on teasing future installments, a symptom of the obsession with sequelization that's affecting even small genre films." Katie Walsh of Tribune News says, "Like its big baddies, the bruising onslaught is lacking one major element: a brain." And Richard Whittaker of Austin Chronicle says, "Luckily, unlike most directors who try to ape the '80s through neon pastel color palettes, Wingard goes for the old-school gonzo action jugular, revving everything up with Matthew Pustey's martial metal score." It has a Rotten Tomato score of 57%, an audience score of 62%, an IMDb score of 6.2 out of 10, and a Metacritic score of 57.
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23:34ChadHOST
But here at "The Broken VCR," we have a six-tier rating system.
Best and Worst Legacy Sequels (Episode 250)
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58:19FrederikHOST
cruise sandwich.
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58:22BenedictHOST
sorry the dream um i've just noted here you know again it's pre-recorded so not up to date canoes but we have a little uh just the one i noted down okay whenever i see cruz's name pop up in the headlines i just like to take note uh this is from indiewire adam scott confirms tom cruise's influence on severance running scene
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58:42FrederikHOST
oh
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58:42BenedictHOST
and now this is actually a different thing from what i thought this was i think i saw something where adam scott was saying he gets confused for tom cruise or something He gets confused for Tom Cruise.
Summer Movie Recap 2026
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59:33Amy NicholsonHOST
Then we are doing the Angelina Jolie movie Salt with Ira Madison, a wit extraordinaire.
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59:39Amy NicholsonHOST
And lastly, we are closing out with Hereditary, uh, and I'm gonna be doing that episode with IndieWire critic David Ehrlich, who's also writing a book on A24.
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59:48Amy NicholsonHOST
He is A24.
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59:51Amy NicholsonHOST
I hope you're jealous, Paul, 'cause this is gonna be a really fun month.
376: The Paper Season 2 + Would-You-Rathers
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33:20Alex WardHOST
I just forgot I had this tab open.
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33:23Alex WardHOST
There was a review of Season 2 on IndieWire about... about some of the possibilities that the show could go in and what might make it interesting when you compare it to the office.
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33:35Alex WardHOST
The article is largely kind of gave the show a C because they did drop the whole season at once.
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33:40Alex WardHOST
So I think the writer,
BUDDY Trailer Review: This Unicorn Is Nightmare Fuel!
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7:32Gilbert KHOST
Early reviews have also treated it as more than a simple parody.
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7:36Gilbert KHOST
IndieWire praised it as a major midnight movie, while Variety described its connection to familiar children's TV.
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7:43Gilbert KHOST
That doesn't guarantee everyone will love it, but it suggests the movie has more going on than its wild premise.
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7:50Gilbert KHOST
Let's talk about the cast.
Episode 704: Top 5 Monster Movies
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58:09JD DuranHOST
So The Village is my number four here.
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58:11Megan KearnsHOST
Yeah, I think The Village totally makes sense, especially because I saw it on IndieWire's list of best monster movies.
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58:17Megan KearnsHOST
[laughs] So you are definitely not alone.
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58:19JD DuranHOST
Okay.
Comedy Nerd: The Obsessions of Judd Apatow w/ Judd Apatow
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48:24Frank SantopadreHOST
it's got a different reputation
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48:25Judd ApatowGUEST
yeah it's it's considered this weird almost prophetic And I was reading this very long article in IndieWire, which was an oral history of the movie.
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48:38Judd ApatowGUEST
And what seems to have made it hold up was that when we were writing it, I was very aware of what was happening in technology.
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48:50Judd ApatowGUEST
that this was a moment where we were about to combine our phone, computer, music, video games, television, movies, and it hadn't happened yet.
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