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Igor Stravinsky

Igor Stravinsky

Russian composer and conductorWikipedia

Search complete. 208 mentions across 107 episodes found for "Igor Stravinsky".

Sep 11, 2026

Edith BowmanHOST
25:38
use...
Dylan SouthernGUEST
25:39
Schubert, Stravinsky and the Carnival of the Animals.
Dylan SouthernGUEST
25:44
I can't remember the complex right now.
Dylan SouthernGUEST
25:46
But immediately after Cardiff, we have this sequence where the house lights come up and we talked about it just before.
Shane RevilleGUEST
86:31
Well, if
Simon HoldenHOST
86:33
they have one that doesn't stay, like the old Stravinsky, they suddenly get interested in sprinters, don't they? Which is fair enough.
Simon HoldenHOST
86:38
And one of my favorite ever horses.
Simon HoldenHOST
86:40
Now, I've got to say, I think Icy probably knows, my favorite horse in the world, the Mighty Rum Star runs in this.
Shane RevilleGUEST
90:24
was doing a half speed at the furlong pub.
Shane RevilleGUEST
90:27
So are
Simon HoldenHOST
90:27
you saying, Shane, that we could throw a blanket over the rest of them and they're the sort of sprinters that you could run it a few times and different ones would win? But this lad could be the Stravinsky, the class act in it.
Simon HoldenHOST
90:39
I would have
David CommandayGUEST
58:39
Okay.
Tom AlvarezHOST
58:50
Let us close now with an excerpt of the Firebird Suite by Igor Stravinsky, as performed by the Carmel Symphony Orchestra, led by David Comande.
Tom AlvarezHOST
59:33
Thank you.
Tom AlvarezHOST
60:18
Our thanks go out to our media sponsor, Urban Times.
Stewart CopelandGUEST
38:47
You know? And the, the, my favorite kind of jazz, in fact, the only kind of jazz I really like is when I'm playing it, uh, or Stanley Clarke.
Stewart CopelandGUEST
38:54
But, uh, you know, so my father raised me on jazz, but meanwhile, my mother was listening to Stravinsky, Debussy, Ravel, uh, which is 20th century classical music.
Stewart CopelandGUEST
39:05
That stuck.
Stewart CopelandGUEST
39:05
That, you know, that's why I do orchestral music now.
Tom PowerHOST
14:03
Mark's first love is opera and classical music.
Tom PowerHOST
14:05
He loves, uh, Puccini and Stravinsky and Mahler.
Tom PowerHOST
14:08
Most jazz singers would never want to play with someone who doesn't, like, jazz isn't the only thing they care about.
Tom PowerHOST
14:13
But for Katie, that's exactly what makes their partnership work so well.
Ella HubberHOST
18:11
There's other aspects as well.
Ella HubberHOST
18:13
There has been some debate if Stravinsky's horse is actually a feral descendant from horses of the 5,000-year-old Botai culture from Central Asia.
Ella HubberHOST
18:22
But you guys probably don't care about this distinction as much, but I have to say it because someone will.
Ella HubberHOST
18:28
Generally, I've seen two arguments against this.
Michael SimonGUEST
28:19
Fast forward after the First World War and listen to what the French composers and the Russian composers in particular are doing.
Michael SimonGUEST
28:31
So I'm talking about a little bit earlier, but if you listen to Tchaikovsky, if you listen to Prokofiev, Stravinsky, Shostakovich, or in France, if you're listening to Ravel or Debussy or Poulenc, the color is extraordinary.
Michael SimonGUEST
28:48
And they have introduced new instruments that didn't exist.
Michael SimonGUEST
28:52
Mahler wrote a symphony, the so-called symphony of a thousand.
Chris Minh DokyGUEST
20:23
When I heard Herbie Hancock and when I heard a lot of my jazz heroes, it's the same stuff.
Chris Minh DokyGUEST
20:30
I hear Tchaikovsky or Stravinsky or Ravel or Debussy and it's jazz.
Chris Minh DokyGUEST
20:36
You hear an improvisation by Herbie Hancock, it might as well be Ravel.
Chris Minh DokyGUEST
20:40
So I don't see a difference.
JennyHOST
55:58
Yeah.
Charles DiRaimondoGUEST
55:58
And I remember Stravinsky, the, the famous, the famous composer Stravinsky said the, the...
Charles DiRaimondoGUEST
56:05
He, he, he said, "You know, the activity of composition is everything for me." So in other words, like it's not so much when I finish it, yeah, that's great, I finished it.
Charles DiRaimondoGUEST
56:17
And, you know, you know, we're in, in the beautiful symphonic hall in Germany or whatever, and we're listening to this.

37 MINS LATER

Charles DiRaimondoGUEST
93:45
But the, the, it goes to the effect that like, you know, the journey is, is everything, right?
JennyHOST
93:51
Yeah.
Charles DiRaimondoGUEST
93:51
And so the, the, you know, the, like what Stravinsky said, you know, the, the activity of composition is everything for me, not so much the crowning glory opening night.
Charles DiRaimondoGUEST
94:01
Like, and so I feel the same way.
Richard SweatmanHOST
24:12
I remember for me, I was very keen, very creative, air quotes.
Richard SweatmanHOST
24:17
I think my first study, we read through Ezekiel chapter 1, and I played Stravinsky's Rite of Spring in the background to create the sort of emotions associated with that.
Richard SweatmanHOST
24:28
I haven't played music during a Bible study since then, but...
Richard SweatmanHOST
24:32
I very much, yeah, I was a bit of a high-risk appointment when I started.

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