Iconography

You talk about the, at the end, I would love to, there's two things I definitely have to get to.

So you talk about iconography.

Iconography.

Iconography.

Tell me that seemed like a very obviously when you choose to put something near the end, that was a very influential for you.

I think when you write a book, whatever whatever you put near the end is sort of almost oftentimes a culmination.

So, the film's visual language brings, brings Shakespeare's text to life.

Iconography, religious imagery, and visual references help us understand the characters' emotions and the story.

The costumes translate Shakespeare's text into a visual language.

What Kym Barrett says is that she wanted the, she wanted the costumes to help you stop overthinking the text and being intimidated by it, and just get into the emotion of the story, get into the flow of it, and just, I don't know, go along for the ride.

Mm.

Iconography is like the key to awakening the mind, basically.

So that's why, you know, those, those are thousands of years still in the present day, you know.

You know, you can learn lots of things just to gaze with this, you know, statues and paintings, you know.

I agree, and what I, what I wrote down here is, uh, um, iconography in movies, uh, an ingredient for icono- Ugh, let me say that again.

Sorry.

Iconography.

An ingredient for iconography in movies is silhouettes.

It happens with Star Wars.

Mm-hmm.

Its interiors are famous and rumored to be filled with macabre icon- iconography, iconography-

... iconography, skeletons, and the number 322, believed to honor the death year of the Greek orator-