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I Get Around

I Get Around

Song by Brian Wilson and Mike LoveWikipedia

Search complete. 7 mentions across 3 episodes found for "I Get Around".

Oct 12, 2026

speaker_6SOUNDBITE_SPEAKER
35:24
Ah
Harry WilliamsHOST
35:24
Um, so I believe those vile automotive engine impressions done by The Medallions in Buick 59 and Speedin', I think these directly inspired Mike Love for what is becoming, uh, circulating in the fan community as one of the most disastrous performances of I Get Around ever given, which is on a live TV show, um, during the famous Around Round Get Around, I Get Around intro.
Andy RintmoreHOST
35:49
Yeah
Harry WilliamsHOST
35:49
Mike, once all the backing vocals comes in, decides to offer some automotive noises of his, of his own-
Harry WilliamsHOST
35:58
So, um, I shall insert that here.
Harry WilliamsHOST
36:00
This is a little treat for the listeners
speaker_6SOUNDBITE_SPEAKER
36:02
I get around.
speaker_6SOUNDBITE_SPEAKER
36:03
I get around.
Al JardineGUEST
44:28
[laughs] He, all the kinda songs that were written about automobiles and, and, you know, as it, they, they evolve through the, uh, the decades.
Al JardineGUEST
44:38
It was really kind of a cool little tape, and it ends with I Get Around.
Mark DillonHOST
44:42
Hmm.
Phil MilaniHOST
44:43
Maybe that tape inspired Shut Down Volume 1 by Capital.
Jon StebbinsGUEST
9:23
And just the disrespect that comes about because of that.
Jon StebbinsGUEST
9:30
If I had played the drums on I Get Around, or if I had played the drums on When I Grow Up to Be a Man, I would want to have the world know that.
Jon StebbinsGUEST
9:40
But for some reason, most people think Hal Blaine's playing the drums on those records.
Jon StebbinsGUEST
9:45
Hal Blaine played the drums on So John B, you know, wouldn't it be nice? Good vibrations.
Jon StebbinsGUEST
12:49
People hear that opening guitar thing and they think, oh, that's Glen Campbell.
Jon StebbinsGUEST
12:53
It's not, that's Carl.
Jon StebbinsGUEST
12:56
The guitar solo when I get around, it's Carl.
Ed MayHOST
13:00
Do you think at that time, especially with Don't Worry Baby, I guess, with it being that nod to Spectre and written for him and some of the acts he was producing, do you think that feeds into it, that they thought they could only need those musicians to make that sound?

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