Hotter than Hell

This is a great.

Peter's drumming is hotter than hell.

The drumming is fantastic.

Hotter than hell.

He's got that rhythm going, and he just goes with it.

He's just got the fills going in.

Okay.

The single is Let Me Go Rock and Roll.

Nope.

So, it starts off with Deuce, then Strutter, Got To Choose, Hotter Than Hell, Firehouse, She, Ace Frehley solo, Nothing to Lose, Come On and Love Me, 100,000 Years, Peter Criss solo 100,000 Years, Black Diamond, Cold Gin, and Let Me Go Rock and Roll.

So, missing from this is basically, uh, Parasite, Watching You, Rock Bottom, and Rock and Roll All Nite.

Rock and Roll All Nite, yep, so f- four less track.

He knows everything

...

if we all just loosen up just a little bit, we just gotta get this place hotter than hell." Holy [censored].

Okay, now this is hilarious because at the beginning, it, when you hear him, whether it's a live or a studio, when, when it's like, "Da-na," and it's like, "Come on," he goes, "Come on."

It's impossible not to compare Anaheim to Alive and 1977's Alive 2, live albums that are burned into the memory of any longtime KISS fan.

It's jarring when the closing instrumental section of Let Me Go Rock and Roll cuts off so quickly, or when Hotter Than Hell gives way to Nothing to Lose instead of Firehouse, but you'll adjust after a couple of listens.

The album sounds great, lively, and punchy, with Simmons' bass particularly coming through loud and clear, and the concert certainly doesn't lack for energy.

Perhaps extra amped up by performing in front of such a large crowd, KISS plays every song at about 110% of their normal speeds.