Hotel California

Silver.

Hotel California.

Very, very expensive nightly rate.

Hotel can't afford you.

And it looks as if the English clubs that jumped out of the... jumped out of the Super League project, the franchise project, at a relatively early stage.

Florentino Perez says, have you taken a look at your contracts? And as far as we're concerned, a bit like Hotel California, you might have checked out but your contract says you never leave.

And therefore you're on the hook for all of the subsequent legal charges and the subsequent costs incurred by A22 when it came up with its revised version of the Super League project, which was just as repulsive as the initial one, but with, you know, slightly slightly more cuddly emphasis on it and therefore we want you to pay up now What's going to happen? I suspect the lawyers are going to get involved between both parties.

The Premier League clubs are saying, we're out.

I mean, maybe.

But I do find that what resonates with my own thoughts or messages that I receive, like in the, I always tie in songs, like in Hotel California, we are programmed to receive.

We are programmed to receive, right? I mean, we are.

We are.

But in the Hotel California, you can never leave.

And that's the part that, but let's, we're not

going to accept that,

Mulligan Golf Company, and Craig Boyd of Precision Athletics.

Piano Man, Hotel California, Piano Man as well.

One love, or are you saying one love? Good night, everyone.

Nice to see you.

In the film, we learn, obviously, this room is indeed haunted.

And the way it's haunted is, it's like the Hotel California.

Once you check out, you can never leave.

So there are many instances in the film where he gets out of the hotel room and then, say, he'll be at the post office, and construction workers will start tearing down the post office, and whoops, he's back in room 1408.

We have four in a row for you.

Starting with The Eagles, Hotel California, a live version recorded in 1986.

The Selector, Missing Worlds, Billy Ocean with a track called Caribbean Queen, No More Love on the Run.

Finishing this segment with a track from The Strangers called European Female.

She showed me the way.

There were voices down the corridor.

I thought I heard them say, welcome to the Hotel California.

Such a lovely place.

And I think it was at the same BPM, if anything, we were just sort of enjoying that movement.

And then we started talking about Hotel California and I seem to be drawn to a desert that I have never been to, which is what I think is so incredible about writing, that you can be attached to something that you haven't lived or, but feel so deeply about something that you haven't lived.

And I could see this hotel sort of in the middle of nowhere and, And, you know, there's sort of like shrub bushes and there's dust everywhere, but, and there's bullet shells on the bar and progressively the story unfolded that who are the characters that are moving through here? They're probably the people that are running from something, running away from something that they've done or who they've been.

They all have different stories, but they're all here on this one night.

And it's just something that happened.

And as we were writing Valentina, we kept seeing this character pop up, this woman that she had shot someone and she was on the run.

And what had happened and we didn't really know and we're sort of trying to piece the story together and she's very mysterious a sort of femme fatale like character and then progressively I started thinking well maybe this is Valentina and she is the ghost that writes with us and maybe this is her story that's sort of how it all came to be a mix of the Eagles Hotel California a mix of this Andrew Bird song and this ghost that seems to be in the studio with us

Greta, I just absolutely love that story.

She says she's not coming back.

Jackson says it's not Hotel California.

And then the toast is for every Joe who's fallen in the field for Coe.

Yeah, lovely, but nothing for flight.

There was a lot of pressure on this release.

It was the follow-up to their mega-hit Hotel California.

The single came out in November of 79 and raced up the charts to peak at number eight on the U.S.

Hot 100.