Here’s Where the Story Ends

Yeah.

[laughs] It continued with The Sundays' Here's Where the Story Ends, Daniel Powter's Bad Day-

Wow

...

that.

What else? Here's Where the Story Ends by the Sundays.

Fuck you.

As the World Turns, Jessica Pratt.

Principal's Office was a lesser hit, going to just number 33 on the pop chart, but it's notable for its low-down, funky-ass, piano-driven beat and goofy high school delinquent lyrics.

Next, The Sundays with Here's Where the Story Ends from 1990 and Summertime from 1997.

This band emerged from the UK's indie jangle pop scene of the 1980s that comprised dozens of bands.

Seriously, a whole episode can be done on them.

The Sundays were one of the very few of that lot to have success outside of their home country when Here's Where the Story Ends scored as a big hit on North American college radio, eventually becoming a number one hit on commercial rock radio.

Their chiming guitars, wistful melodies, and twee sensibilities made a comeback seven years later in a slightly more rocked-up way with Summertime, which was another big hit on rock radio and even made a dent on the pop chart.

They stopped releasing any new music afterward, but in interviews throughout the years have maintained that they continue to write songs together.

They're all great records.

They need to be heard, whether it's Here's Where the Story Ends on the debut, Goodbye from Blind, or, of course, the actual masterpiece that is Summertime that opens Static and Silence.

They are great records.

They can sound quite thin.

Well, we talked about the kind of shyness and introvertedness of the Brontes.

I did pick Here's Where the Story Ends by The Sundays.

I was going to pick Wuthering Heights.

I was going to ask you