Henry Lamb

The reason why we know that Y1926 is a kinsprit is in the following notice in the personal column of the London Times.

Lost in taxi last week, small portfolio containing color diagrams and newspaper print of Lamb's portrait of Lytton Strachey.

Finder rewarded.

Y1926, The Times, EC4.

Well, well, we say to ourselves, then there is one other person in the world who felt just as we did about that gloriously entertaining portrait of Mr. Strachey and who carried it about with him just as we did ours, clipped from the Manchester Guardian.

But we are luckier than poor Y1926 because in an axis of enthusiasm we wrote to Mr. Henry Lamb, the artist, and begged from him a photo print of the picture which is in front of us now.

We think that Mr. Alfred Harcourt, Mr. Strachey's publisher, should implore the loan of the canvas for a few months and have it exhibited in a Fifth Avenue window where we could all have a good look at it.

We are consumed with curiosity to know more about Y1926, where he was going in that taxi and what the color diagrams were, they sound interesting, and what are his general comments on life.

The reason why we know that Y1926 is a kinsprit is in the following notice in the personal column of the London Times.

Lost in taxi last week, small portfolio containing color diagrams and newspaper print of Lamb's portrait of Lytton Strachey.

Finder rewarded.

Y1926, The Times, EC4.

Well, well, we say to ourselves, then there is one other person in the world who felt just as we did about that gloriously entertaining portrait of Mr. Strachey and who carried it about with him just as we did ours, clipped from the Manchester Guardian.

But we are luckier than poor Y1926 because in an axis of enthusiasm we wrote to Mr. Henry Lamb, the artist, and begged from him a photo print of the picture which is in front of us now.

We think that Mr. Alfred Harcourt, Mr. Strachey's publisher, should implore the loan of the canvas for a few months and have it exhibited in a Fifth Avenue window where we could all have a good look at it.

We are consumed with curiosity to know more about Y1926, where he was going in that taxi and what the color diagrams were, they sound interesting, and what are his general comments on life.