Henry Gibson

That Walker is really about returning to our national values and thinking about things in different ways.

And in these lyrics, which are written by Henry Gibson, there's a real strong sense of our flag's going to continue to fly no matter what happens.

So it's really this, Hal Philip Walker's offering optimism and so is Haven Hamilton.

Yeah.

[laughs]

And the doctor played by, uh, Henry Gibson, who, he's been in a bunch of stuff.

Oh, yeah.

He's in the Blues Brothers.

That Walker is really about returning to our national values and thinking about things in different ways.

And in these lyrics, which are written by Henry Gibson, uh, there's a real strong sense of our flag's gonna continue to fly no matter what happens.

So it's really this, uh, Hal Phillip Walker's offering optimism, and so is Haven Hamilton.

Yeah.

But I think the way those first two episodes played out and then the way the next to the film starts to play out, I think really works well as its own individual segment.

So as we left this film, we were transitioning from the Hal Phillip Walker van going onto the streets of Nashville and into the first performance of Henry Gibson's song, 200 Years.

That's performed by his character Haven Hamilton inside a enormous Nashville music studio.

Enormous and very, and very dark.

So, oh yeah, so transition to the studio and we get, I would say our first classic like Robert Altman shot in this film where the camera is on a track and we are tracking slowly through this studio.

And we can see into the recording booth or the engineering booth.

And we see people in there, and then we move across the studio, all the musicians in the studio, the backup singers, and then finally landing in a close-up of Henry Gibson as Haven.

It's a stunning shot, isn't it? There's so much-

Mandy gag, punishment is in a reward Bible reference.

Has pain-- Lord Painless by Henry Gibson comes to town.

Grim prosecutes, has his vision of the Germanized dog.

Mandy summons Cerberus to fight Mindy.

Hopefully we can get more to minute by minute after this, but I think where those first two episodes played up and then the way next the film starts to play, I think really works well as its own individual segment.

So as we left this film, we were transitioning from the Hal Philip Walker van going out to the streets of Nashville and into the first performance of Henry Gibson's song, 200 Years.

That's performed by his character Haven Hamilton inside an enormous Nashville

music studio.

the stipulations for what he needs to perform but he's as we get to like know him he's he's very much like the king of the nashville music scene so oh yeah so transition to the studio And we get, I would say our first classic, like Robert Altman shot in this film, where the camera is on a track and we are tracking slowly through the studio.

And we can see into the recording booth or the engineering booth.

And we see people in there and then we move across the studio, all the musicians in the studio, the backup singers, and then finally landing in a closeup of Henry Gibson has Haven.

It's a stunning shot, isn't it?