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Hayao Miyazaki

Hayao Miyazaki

Japanese animator and filmmakerWikipedia

Search complete. 386 mentions across 165 episodes found for "Hayao Miyazaki".

Sep 24, 2026

Roland RusinekGUEST
24:38
was so moved by this.
Roland RusinekGUEST
24:40
Well, and it also turned into, and this is why, again, I love this show, is that it went into full on Miyazaki style.
Roland RusinekGUEST
24:49
emotional storytelling it went from wacky to absolute like blindside you with deep heart deep connection extraordinarily well written beautiful animation like and just epic just sadness you go okay sorry all right
JohnHOST
25:08
so i'm gonna put this i should have said this earlier i'm gonna put the spoiler alert here spoiler spoiler

8 MINS LATER

Roland RusinekGUEST
32:57
As a way of trying to bring them back together.
Roland RusinekGUEST
33:02
So the elk is creating experiments to see if he can find a way to bring the human side and the elk side back together so that he can just be whole again and then get her back together.
JohnHOST
33:14
But in doing so, and in very Miyazaki-like animation, he becomes the nowhere king, the sludgy black.
Roland RusinekGUEST
33:24
But it's through multiple experiments that fail, a lot of disappointment.
Mike JonesGUEST
31:25
And in those two cases, I did The Wind Rises, both for Studio Ghibli and The Wind Rises and The Tale of Princess Kaguya.
Mike JonesGUEST
31:32
And with, with Miyazaki, I was told in particular there is, the text is the text, so we want you to make it sound...
Mike JonesGUEST
31:41
Because they're hiring actors like...
Mike JonesGUEST
31:44
Oh, who was in that one? I don't know.
Zandré CoetzerGUEST
25:47
We just believe that, you know, it's Disney, so it will be wholesome and there will be a lesson in there somewhere and it will be great.
Zandré CoetzerGUEST
25:53
So I introduced my kids from a young age to Miyazaki's films, My Neighbor Totoro, Kiki's Delivery Service.
Zandré CoetzerGUEST
26:04
Unfortunately, almost once also spirited away, which was a little bit hectic, but it's okay.
Zandré CoetzerGUEST
26:10
It's got hard themes.
Sean FennesseyHOST
54:43
It's a, it's a small documentary that not many people have seen, but I also think it kind of shifted our ... brain chemistry on what we should be expecting.
Sean FennesseyHOST
54:49
'Cause there are a great many movies, there are two different movies about Hayao Miyazaki and his career and his filmmaking style.
Sean FennesseyHOST
54:56
One is called M- um, Kingdom of Dreams and Madness, which is about Studio Ghibli.
Sean FennesseyHOST
55:00
The other is Hayao Miyazaki and the Heron- Heron, which came out when, um, The Boy and the Heron came out a few years ago.
Sean FennesseyHOST
55:07
There's, you know, Ingmar Bergman Makes a Movie, which is about Winter Light.
Sean FennesseyHOST
55:11
Um, then there's Lost in La Mancha, which is Terry Gilliam fucking up a Don Quixote movie.
Willow SmithGUEST
67:07
don't know if I would call him a design, but you do have to design those frames.
Willow SmithGUEST
67:10
You do have to, you know what I mean? Um, so yeah, Miyazaki.
Willow SmithGUEST
67:13
Okay.
Willow SmithGUEST
67:14
Yeah.
Josef Kubota WladykaGUEST
26:42
She says it's her favorite film.
Josef Kubota WladykaGUEST
26:44
And a little bit of You know, Miyazaki, a little bit of my neighbor Totoro.
Josef Kubota WladykaGUEST
26:49
Just all these things.
Josef Kubota WladykaGUEST
26:51
We kind of took all these different elements and sort of put them in a pot.
ColtonGUEST
37:12
So like the one you're referring to, like the cover of the, I think it's the Japanese box art outsourced.
ColtonGUEST
37:18
I think it was too likely somebody at Toei Animation because Yoichi Kotabe joined Nintendo later and he was a legendary, is a legendary animator that worked with Toei alongside Miyazaki.
ColtonGUEST
37:35
So I don't know if he did those, but it's likely that one of his contemporaries did.
ColtonGUEST
37:40
Um, but it's just interesting that they did these based on the pixel art seemingly from what I could find, um, as opposed to the other way around.
Michael ArndtGUEST
58:54
Um, I think that what's interesting to me, and it sort of contradicts all my videos about screenwriting, are about, like, hooking your audience, making things happen, getting people to care, you know, having this propulsive sense of story momentum.
Michael ArndtGUEST
59:11
The other side of storytelling, and this is what I love about Ozu, it's what I love about Miyazaki, is the gentleness of the storytelling.
Michael ArndtGUEST
59:19
I, I recently watched the opening act of Totoro again, and, like, nothing happens in it.
Michael ArndtGUEST
59:24
Like, almost nothing happens.
Mark MaggioriGUEST
37:44
So yeah, Disney was huge training.
Mark MaggioriGUEST
37:49
I met Hayao Miyazaki in Japan.
Mark MaggioriGUEST
37:52
I had 15 minutes with him.
Mark MaggioriGUEST
37:55
He crushed it.
Mark MaggioriGUEST
38:09
So I was working on an animation project at the time.
Mark MaggioriGUEST
38:13
I was in Japan with my band.
Mark MaggioriGUEST
38:15
But because I was working in animation too in France, the label Sony Japan organized a meeting between me, the lead singer of the metal band, and Hayao Miyazaki.
Mark MaggioriGUEST
38:24
And they told me, bring all your work from the animation project.
Corey FarrenkopfGUEST
10:28
I just watched it endlessly and it scared me really badly as a little kid, but I loved it.
Corey FarrenkopfGUEST
10:33
I also watched a lot of like Miyazaki films when I was a kid.
Corey FarrenkopfGUEST
10:36
So, I have some kind of combination of like Tim Burton-y stuff and then like Miyazaki stuff, which is why I think a lot of my horror straddles like dark fantasy and sometimes it's like a little whimsical maybe.
Corey FarrenkopfGUEST
10:46
I don't even know.
Corey FarrenkopfGUEST
10:46
Yeah, it

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