Harold "Harry" Crane

though.

Three, it's like Harry.

And here's how I spin it.

Like, I'm like,

forth?

Yeah, he's...

Harry, what's he been bouncing around? I don't even understand.

What do you mean he's like...

One in three, he sits down at this table at this party, and this married couple is Rich Sumner.

Sumner? Sumner? Anyway, Harry Crane from Mad Men, always delightful.

And then his lady friend is the delightful Edie Pattinson.

Edie Pattinson? I think I said that right.

Oh, I haven't even said what he lost for.

Uh...

He's kind of circling around being a douchebag because Harry Crane's a vet, so he's asking, do you do this? But anyway, he leaves the table, and he immediately asks his wife, my lady friend, Edie Pattinson.

Pattinson? God damn it.

And it's, it's...

I always make the analogy to Mad Men, my favorite show, where at the beginning of Mad Men they gave television to Harry Crane because nobody wanted it, and they were all focused on print and other ad campaigns.

And by the end of Mad Men, Harry Crane was running the agency and shooting commercials and...

Not running, but he was a major player.

And I think that's what's happened at the talent agencies over the past decade, is these digital agents have so much more power because the money is there.

And Joan says, we need something to cover her.

There's an Afghan in Harry Crane's room.

And so they put it, and then later you just hear them in the distance going,

Oh, my mother made that.