Glashütte

Yeah.

But on the Glashütte, they tried to make it go all the way to the end.

Exactly.

Even yours has it.

It's also not the biggest movement, but it is

okay.

But then what Glashütte does is they keep the small movement and they just make the glass go all the way to the end, which doesn't make any logical sense.

And you see the spaces.

So collaborating at that level has been really fun.

We're going to do a Mule together with a brand out of Germany, out of Glashütte.

and we are working on an Oris collaboration too.

So those will be my favorites.

And that's where they have this very artisanal German watchmaking, which has definitely got its own DNA.

Any of the high-end German brands, you can tell immediately instantly that it's not Swiss and it's not Japanese and it's not anywhere but the kind of Glashütte area of Germany and they're very much into their traditional three-quarter bridges but they were showing off a couple of new models where they've got limited numbers there's only in fact nine of each of them And they described it as a much smaller three-quarter bridge, which was no longer a three-quarter bridge.

I think I called it, we jokingly called it, as the Germans being efficient, it's an efficient three-quarter bridge, but it opens up a lot more of the movement.

Two variants of it.