Giuseppe Verdi

Um, it's sort of entirely driven by, um, opera recordings, but Um, you know, I think I like that.

Is it the Ginkamo Puccini and Giuseppe Verdi? The, the opera track that's playing during that, during the murder scene or the deed scenes.

Okay.

I think it's like six minutes of uncut.

But they said the performance of Simon Bocanegra will still go on on September 12th.

Fingers crossed that it gets all worked out because Simon Bocanegra is like this magnificent Verdi opera that is a little bit underperformed.

It is about a pirate and a fraudulent looter who, through a series of events, gets elected to high office.

Yeah.

So if you eat meat, the best meat from it with nothing going to waste.

You know, I work in opera and there's an expression that the music of Giuseppe Verdi is like the pig.

Nothing goes to waste.

And Italians have always learned that food is precious.

I'd like to thank him so much for joining us this week and sharing with us all of his wonderful stories and perspective.

To conclude this special 225th episode of PD Heart Pediatric Cardiology Today featuring Dr. John Lamberti, we end with the rousing end of act three of Giuseppe Verdi's opera Il Trovatore, in which the famous tenor sings Di quella pira.

And we hear it sung today by someone often thought as the greatest spinto dramatic tenor of the second half of the 20th century.

I'm speaking of the great Italian tenor Franco Corelli.

That's, that's when I decided to prepare a whole program on María Grever, which I knew a song here, a song there, a song here and a song there, but had never worked fully on a, on a single composer.

Such as I know Verdi very well, I know Puccini.

But for a Mexican composer and songs, I have never done it.

And that's when I learned, I, I taught and I learned myself to love María Grever more than I loved her, and I, I think I approached not only to the composer but to understanding the person herself.