Gary Peacock
American bassistWikipedia
8
MENTIONS
8
EPISODES
8
PODCASTS
Search complete. 8 mentions across 8 episodes found for "Gary Peacock".
Nov 2, 2026
Tom DonahueSOUNDBITE_SPEAKER
What happens when you blow a tube in a sitar, huh? But that's a very pretty collection of things in a World Pacific LP entitled Ravi Shankar Improvisations.
Tom DonahueSOUNDBITE_SPEAKER
It features Bud Shank and some of the people you might or might not know, Dennis Boudemere, Gary Peacock, and Lewis Hayes, as well as some Indian musicians.
Tom DonahueSOUNDBITE_SPEAKER
Tom Donahue at KMBX 107 on your FM dial in San Francisco.
Tom DonahueSOUNDBITE_SPEAKER
We play records 8 until 12 midnight.
Lorin BenedictGUEST
It's on Blue Note.
Lorin BenedictGUEST
It has Gary Peacock and himself and both Wayne Shorter and Sam Rivers and Herbie Hancock.
Lorin BenedictGUEST
So I listened to that from when I was very young, and he had some great Charles Lloyd records, Yusef Lateef records, lots of other things.
Lorin BenedictGUEST
So when I went to college in physics in University of Chicago, Chicago, as you probably know, I know that you're from Illinois in general, but it has a great jazz scene.
speaker_2HOST
And from there Chevillon takes us somewhere entirely his own.
speaker_2HOST
Fingerboard Flow, a composition inspired by the paths blazed by two other master bassists, Gary Peacock and Mark Johnson.
speaker_2HOST
At the end of the set we will then loop back to Carmen Quill, but in a very different guise.
speaker_2HOST
singing and playing bass on Harmless, her forthcoming album of minimalist avant-pop songs that seem to draw you in a little further with every listen.
Bobby BroomHOST
That was the inimitable Eddie Jefferson with Lester's trip to the moon from his 1959 The Jazz Singer recording.
Bobby BroomHOST
And we closed the last set with Chick Corea, Joe Henderson, Gary Peacock, and Roy Haynes on drums from Montreux in 1981.
Bobby BroomHOST
And they played the tune So In Love.
Bobby BroomHOST
Now pianist Jackie Terrison and trumpeter Stefani Belmondo.
Lisa SahulkaHOST
Thank you.
Lisa SahulkaHOST
We started off with Keith Jarrett with Gary Peacock on the bass and Jack DeJohnette on the drums.
Lisa SahulkaHOST
It comes from an album called Changes that was released on ECM.
Lisa SahulkaHOST
This was recorded in 1983 at the Power Station and they also recorded two standard albums.
Bill WadmanHOST
They talk to all the people who play with them.
Bill WadmanHOST
They're talking to Gary Peacock and D Jeanette, and they're talking to Chick Corea and they're talking to, you know, they're going through the whole thing, showing archive footage, discussing different phases of his career, talking to, you know, the Japanese promoter who keeps bringing him over to Japan over the last 30 years.
Bill WadmanHOST
They're there.
Bill WadmanHOST
They show him and Chick playing a, uh, two piano concerto together on stage and having, then they show Chick Corea watching the video of it and talking about it.
Bill CarterHOST
But here's an event that I almost attended.
Bill CarterHOST
When the original owners sold the place to their daughter and Keith Jarrett's piano tuner, Keith Jarrett himself said, how about if I come over and I'll bring my trio and we'll play? and they just kind of reconsecrated so he did that and it was a september 16 1992 and i almost went but i was a brand new parent i was needed at home and didn't realize that maybe A few years later, I'd be hearing some of that music on a CD called At the Deerhead Inn with Keith Jarrett, Gary Peacock, and then Keith's old drummer, Paul Motion, who had played with Bill Evans.
Bill CarterHOST
The story was they'd been playing with Jack D. Jeanette, but he thought, you know, maybe I shouldn't play for the door.
Bill CarterHOST
Maybe I should have a guaranteed fee, you know, these guys.
Matthew ShippGUEST
It happened, and it just is.
Matthew ShippGUEST
For anyone that doesn't know, that album's a trio with Sonny Murray on drums and Gary Peacock on bass.
Matthew ShippGUEST
And it's a miraculous, magical thing.
Matthew ShippGUEST
Eiler, to me, there's no prototypes for him in jazz history, and there's no school of that either.