Future Boy Conan

breakout moment, but I'm still trying to bring their stories to light.

Future Boy Conan by Hayao Miyazaki is something I have been basically preaching for over a year now.

And it is so unbelievably important to the development of freedom and liberation.

And what does it mean to explore and to be brave and to be adventurous? And the more people that watch that, I feel like the more people will be into and receptive to these big ideas that they need to face or that they already are facing as children that they may not be equipped to handle.

He then spent work at APPO, Nippon Animation, Telecom Animation Films throughout the '70s.

Uh, he con- contributed to some classic TV series such as Heidi, Girl of the Alps, and directed his first TV series, Future Boy Conan.

And then he kinda got his first directorial debut underway in 1979 with The Castle of Cagliostro.

Um, but his first proper, proper breakthrough was in 1984, when he directed Nausicaä, Valley of the Wind, which I only found out recently he actually drew as a manga and then- Oh, wow ... adapted it into a feature length film in 1984.

I like Onizuka.

And the people yearn for Future Boy Conan.

That is true.

Whenever we watch Future Boy Conan, whenever we show Future Boy Conan, anything Future Boy Conan related gets the people going.

I'm not mad at it.

After a couple episodes into Future Boy Conan...

It has something to it.

I kind of like Future Boy Conan now.