Frank Zappa

And, and, you know, that there are people who deliberately don't want to sit at the cool kids table who become cool kids, you know, like, like Patti Smith and, you know, Nirvana and those people.

I mean, Frank Zappa, who knows? Whatever's going on with Frank.

But those artists would have also had, you know, quite disappointing feedback because they were pioneers as well.

Yes.

Well, I'll start where you left off, because I noticed that Scream 2, and you're right, it does flow perfectly in from these walls with Screaming in a Hotel Room.

And sonically, it kind of reminded me of a track we've talked about before on this show, particularly the final track off of Frank Zappa's Freakout, which was Return of the Son of Monster Magnet, where you get the same sort of...

I thought that's what I thought of when I first heard that, but your description of it being the screaming of a hotel room, that is much more apt to... what the song is also um shout out to Kamisi Washington uh for playing sax on this song um he is a very very very good sax player and had done a lot of work with Thundercat uh so to hear him on this album is just a treat and he just does a wonderful performance uh throughout um

But yeah, man,

And, and, you know, that there are people who deliberately don't want to sit at the cool kids table who become cool kids, you know, like, like Patti Smith and, you know, Nirvana and those people.

I mean, Frank Zappa, who knows? Whatever's going on with Frank.

But those artists would have also had, you know, quite disappointing feedback because they were pioneers as well.

Yes.

That is the so- You know what? All them cunts that Mark was talking of, you know they're paranoid as fuck going, "He means me.

They're onto me." Zappa's like that though, I think.

Makes everyone instantly paranoid for all the wrong reasons.

Oh, yeah.

You, you, it draws you in, doesn't it?

You know that song about doing that.

You know what's a good example of it, 'cause I know Mark likes Zappa and all the fucking rest of it.

On, uh, We're Only In It For The Money, "Who Needs The Peace Corps" 'cause it's, it's anti-hippie.

It was released in 1977.

Is it what Tangerine Dream did all of their scores on? I'm not sure, but I know that Frank Zappa, Michael Jackson, Sting, Depeche Mode, they've all used this instrument.

That all tracks.

That's fine.

This is like prog rock in some way.

This is partly like Beefheart or Zappa does contemporary dance pop.

It doesn't sound like anything else I've heard.

And I'm really curious to see what other listeners to Sound Opinions are thinking of this.

It's just more theater.

Frank Zappa needs to say what happens.

Oh, something else financial.

I just want to get away from the Republican headquarters right now.

This is like prog rock in some way.

This is partly like Beefheart or Zappa does contemporary dance pop.

It doesn't sound like anything else I've heard.

And I'm really curious to see what other listeners to Sound Opinions are thinking of this.