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François Rabelais

François Rabelais

French writerWikipedia

Search complete. 84 mentions across 56 episodes found for "François Rabelais".

Nov 5, 2026

Helen CzerskiHOST
1:24
I'm Helen Cheresky, in France to shine a light on the global movement to help our filthy and forgotten urban rivers gush back into glorious life.
Helen CzerskiHOST
1:36
There's a river in Paris that's inspired artists, philosophers, songwriters, filmmakers and poets.
Helen CzerskiHOST
1:43
But it's not that one, not the obvious one, the Seine that flows past Notre Dame and the Eiffel Tower.
Helen CzerskiHOST
1:49
It's a river that 75 years ago was wiped off the map of Paris.
Helen CzerskiHOST
2:50
Olivier Levillon is a filmmaker and Laurent Bopp is an ocean scientist.
Helen CzerskiHOST
2:55
Both live on the almost invisible banks of the Bievre, the lost river of Paris.
Olivier LevillonSOUNDBITE_SPEAKER
3:02
A long time ago, it was a very nice valley here where the poets, the writers went to write, to paint, to see the nature with this little river, Victor Hugo and
Laurent BoppSOUNDBITE_SPEAKER
3:18
many others.
Noel BadrianNARRATOR
66:18
I suppose that the entity of the poet may be represented by the number ten.
Noel BadrianNARRATOR
66:23
It is certain that a chemist, on analyzing and pharmacopolizing it, as Rabelais says, would find it composed of one part interest to nine parts of self-esteem.
Noel BadrianNARRATOR
66:37
Now, at the moment when the door had opened to admit the Cardinal, the nine parts of self-esteem in Gringoire, swollen and expanded by the breath of popular admiration, were in a state of prodigious
speaker_7NARRATOR
66:50
augmentation, beneath which disappeared, as though
Chad PostHOST
23:54
Doesn't matter.
Chad PostHOST
23:54
Which in my edition has a reference to a Rabelais story about whether or not that's a joke by Rabelais about a curate who's told he must pay the tax for keeping a woman, whether she's a mistress or not.
Chad PostHOST
24:05
So even if he So that's what he's riffing off of and doing it in this way where he's like, I chose to go a different way home.
Chad PostHOST
24:13
And they're like, we don't care.

18 MINS LATER

Chad PostHOST
42:09
Yeah.
Chad PostHOST
42:09
Like seeing those and then trying to figure out another move to make in terms of literature and in terms of writing and how to do it would be where I think that that's sort of coming from.
Chad PostHOST
42:17
And looking back to Rabelais, Quixote, Burton and emphasizing that level of things is what's really critical.
Chad PostHOST
42:25
Like I do like this like chain that you start to see that goes from him and looks backwards and then looks forwards to someone like Gaddis.
RosannaHOST
6:08
Surely, in my poor opinion, it says, the fashion of pockets in the doublet sleeve, or the hose, is much more honest and commendable.
RosannaHOST
6:17
In Rabelais' Pantagruel, a character called Panurge takes an orange out of his codpiece.
RosannaHOST
6:22
So, at one point in history, the pocket was an improvement in manners.
RosannaHOST
6:27
Women had pockets too, and earlier than the usual date.
Vanessa RichardsonHOST
15:41
Neither of them was a knight or a countess.
Vanessa RichardsonHOST
15:44
He quickly renamed the house after a fictional abbey in a 16th-century French novel by Rabelais, where the residents had no rules and did as they pleased.
Vanessa RichardsonHOST
15:53
In the book, it's called the Abbey of Tellem.
Vanessa RichardsonHOST
15:56
Alistair called his the Abbey of Thelema.
Peter BudrinGUEST
21:26
Then I suddenly, you know, see that, oh, actually Pushkin is directly referencing Stern and Eugene Leningin.
Peter BudrinGUEST
21:31
But beyond that, I kept reading and thinking about Stern as this really unusual, very funny writer, but also someone who is deeply philosophical and whose work is somewhere between times, right? We talked about how he was this modernist, but he was also close in spirit to his favorite writers, such as Cervantes or Rabelais.
Peter BudrinGUEST
21:57
So it's the kind of 16th century comic worlds as well.
Peter BudrinGUEST
22:03
So he is very anachronistic in a strange way.
William CooperHOST
46:17
And if there are any listening, it will delight you also.
William CooperHOST
46:21
They also embraced Rabelais then understood this kind of linguistic alchemy in terms of the correspondences and connections between objects or ideas on different levels or scales of being.
William CooperHOST
46:35
A classic example of this, being long term months, sudden juxtaposition on a dissecting table of a sewing machine and an umbrella.
William CooperHOST
46:54
And yet, even though Fulcinelli's basic idea and operational and linguistic alchemy used by sages or hermetic philosophers to transform reality become part of surrealism's intellectual currency, none of the surrealists mention Fulcinelli, our mystery of the cathedrals.
Marion WinikGUEST
1:56
Wright's wild sentences propel Meeks through murderous battles, more threesomes and orgies, and more.
Marion WinikGUEST
2:02
Wright may be 80, but he has the imaginative energy of a randy teenager channeling the vocabulary of Rabelais and Melville.
Marion WinikGUEST
2:10
Next up, Pirate Queen by historical fiction queen Ariel Lahan.
Marion WinikGUEST
2:15
The extraordinary life of a real historical figure named Grace O'Malley overlapped closely with that of Queen Elizabeth I, and one of the high points of Lahan's sixth novel depicts a meeting between the two, both sharply aware of their fraught position as female rulers in a man's world.
Steven RaichlenGUEST
50:26
And obviously that's a little bit different than, you know, writing about barbecue.
Steven RaichlenGUEST
50:32
And I'm reading books like Gargantua and Pantagruel by the French Renaissance writer Rabelais.
Steven RaichlenGUEST
50:42
I'm I'm reading Paul Bunyan, trying to find, you know, really diverse.
Steven RaichlenGUEST
50:49
So, and that's due on Thursday.
Harold RogersHOST
8:25
They rejected my story.
Harold RogersHOST
8:27
Rabelais, Cervantes, and Stern, writers considered bedrocks of the satirical tradition, all write prefaces in their books, anxious about how their humor will be interpreted, that nothing will be gleaned but jokes.
Harold RogersHOST
8:39
Rabelais compares his book to Socrates.
Harold RogersHOST
8:42
for to have eyed his outside and esteemed of him by his exterior appearance you would not have given the peel of an onion for him so deformed was he in body and ridiculous in gesture he was in his carriage simple boorish in his apparel and fortune poor unhappy in wives unfit for every office always laughing tippling and merrily carousing to every one with continual jibes and jeers the better by those means to conceal his divine knowledge But if you don't think Rabelais is funny, like with Stern and Cervantes, you'll never surmount the shell and eat the nut of divine knowledge.
Harold RogersHOST
9:15
Don Quixote's death at the end of his eponymous book is a transformation of everything you laughed at.
Harold RogersHOST
9:21
The reader, like Sancho, wants him to get back up and be ridiculous again, to be different than us, a difference we found risible.

46 more episodes mention François Rabelais.

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